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第１幕 前奏曲と第１場 ジークムントとジークリンデ （家の中。中央には巨大なトネリコの幹があり、その太く盛り上がった根は地中深くまで突き刺さっている。木のこずえは造作された屋根によって隔てられているが、屋根には隙間が空いていて、幹はそこを通り抜け、枝もあらゆる方向に向かって屋根を通り抜けて伸びている。木のこずえには葉が茂っているので、トネリコは屋根を越えて広がっていることがわかる。 トネリコの幹の周りには居間がこしらえられているが、その壁は荒削りの板で作られており、ところどころ手編み手織りの壁掛けが掛けられている。 舞台の右手前方にはかまどがあり、排気口は舞台脇の屋根へとつながっている。かまどの後ろには寝室がある。さらに木の階段を数段昇っていったところに納屋があるが、その前には半分まくれあがった編み壁掛けが掛けてある。 舞台後方には簡素な木製のかんぬきが付いた正面扉がある。舞台左手では、同じように階段を昇っていくと、個室へとつながる扉がある。舞台左手前方にはテーブルが置いてあるが、その後ろ側には壁に沿って幅広のベンチが、手前には木製の丸椅子が数脚置かれている） （嵐のように激動するオーケストラ前奏曲が始まる。幕が開くと、ジークムントが正面扉を開けて勢いよく中に入ってくる。夕暮れどきで、激しい嵐はようやく収まろうとしている。 ジークムントはかんぬきを握ったまま一瞬、室内を見渡す。彼は激しい緊張のために疲れ切っているように見える。衣装と外見の様子からは彼が逃避行にあることがうかがえる。 室内に誰もいないことを確認すると、彼は扉を閉め、かまどのそばへと歩み寄ると、力尽きて熊の毛皮の敷物の上に身を投げる） ジークムント いったい誰の家だ？でも、とにかく休まねば。 （気を失って背後にあおむけに倒れると、しばらく身じろぎもせずに横たわっている。ジークリンデが寝室から出てくる。彼女は夫が帰ってきたものとばかり思っていたが、かまどの前に見知らぬ男が寝ているのを見て、心底驚いた表情を見せる） ジークリンデ （舞台の奥に立ったまま） 見知らぬ男の人だわ？声をかけてみなくては･･･。 （心を落ち着かせながら少しずつ近づく） どなたです？我が家のかまどの前で寝ているのは？ （ジークムントが動かないので、さらに数歩近づき、しげしげとその顔を見つめる） 旅路に疲れて、ぐったりしているわ。 気を失っているの？意識がないの？ （ジークムントに顔を近づけ、聞き耳を立てる） 息はあるわ・・・ 目を閉じているだけのよう・・・ 今は疲れて寝ているけれど、本当は強い男の人みたい。 ジークムント （いきなりがばっと顔をあげる） 水！水を！ ジークリンデ 冷たい水ね。持ってくるわ。 （牛の角から造った盃を素早く手に取り、それを持って家を出て行く。戻ってくると、なみなみと満たした盃をジークムントに手渡す） 渇いた喉をうるおしてください・・・ 水よ・・・どうぞお好きなだけ。 （飲み終わったジークムントは盃をジークリンデに返す。頭を上げて感謝の気持ちを表した時、その眼は彼女の顔に次第に強く吸い寄せられていく） ジークムント 冷たい水が喉をうるおし、 疲れを取り去ってくれました。 気分がよくなって、 見る楽しみが戻ってきました。 私を癒してくれたあなたのお名前は？ ジークリンデ この屋敷も、私も、フンディングのものよ・・・。主人はあなたを客と認めるかしら？でも帰るまではここで休んでください！ ジークムント 私は丸腰なのですよ・・・ ご主人がこんな傷ついた男を拒むとでも？ ジークリンデ （心配そうに、あわてふためき） 傷ですって？早く見せて！ ジークムント （否定するように手を振り、 勢いよく上半身を起こしながら） いいえ、たいした傷ではありません・・・ まだ腕も足もしっかりついていますしね。 もし盾や槍が、せめて私の腕力の半分でも 私を守ってくれていたならば、 決して敵に背後を見せることもなかったでしょう。 ところが、盾も槍も砕けてしまった。 敵の群れは私を散々追いまわし、 激しい嵐が私を打ち砕いたのです。 ですが、敵から逃れたのと同じぐらい早く、 私の疲れは消え去りました。 まぶたには夜が覆いかぶさっていたはずなのに、 今は新たな太陽が微笑みかけているのですから。 ジークリンデ （酒蔵に行き、牛の角で造った盃を蜜酒で満たし、生き生きと親しみを込めてジークムントに手渡す） こんな泡だらけの甘酒しかありませんが、 あなたのお口に合いますでしょうか。 ジークムント まずあなたが味見していただけますか？ （ジークリンデは盃に口をつけて酒をすすり、ジークムントに手渡す。ジークムントは、ますます熱を込めてジークリンデを見つめながら、ゆっくりと酒を飲み干す。盃から口を放し、ゆっくりとその手をおろすと、ジークムントの表情は激しく心を揺さぶられたような変化を見せる。しかし彼は深いため息をつき、視線を暗く床に落とす） ジークムント （ふるえる声で） あなたが傷を治してくれた男は不幸な男・・・ その不幸を、あなたにまで近づけるわけにはいきません！ （急いで立ち去ろうとする） 私は十分休息をとりました。 もう行かねばなりません。 （舞台後方へと向かう） ジークリンデ （勢いよくジークムントに振り返って） 誰が追ってくるというの？ ジークムント （ジークリンデの叫び声にとらえられて、もう一度振り向くと、ゆっくりと陰鬱に） 不幸が追ってきます・・・どこへ逃げても。 不幸がやってきます・・・どこにいようとも・・・ ですが、あなたには不幸を近づけたくない！ 早く立ち去らねば。もうお目にかかることのないように。 （素早く扉へと走り、かんぬきを持ち上げる） ジークリンデ （我を失って、ジークムントの背中に向けて激しく呼びかける）それなら、ここにいてください！ 不幸を持ちこむことなどできません。 もともと不幸が居ついているこの家に！ （ジークムントは心に激しい衝撃を受けて立ち止まり、ジークリンデの表情から何かを読み取ろうとするが、彼女は恥じいって悲しげに目を落とす。長い沈黙の時が続く） ジークムント （舞台前方に引き返しながら） ヴェーヴァルト（悲しみの男）・・・かつて私は自らそう名乗りました。ここでフンディングをお待ちしましょう。 （かまどに寄りかかったジークムントの視線は、静かなうちにも意を決したような想いを込めてジークリンデに注がれ、ジークリンデも再びゆっくりと目を上げる。二人はずっと沈黙したまま、無上の感動にとらえられたような表情で互いに見つめ合う） 第２場 （ジークムント、ジークリンデとフンディング） （ジークリンデは突然立ち上がり耳をすますと、屋外の小屋に馬をつけるフンディングの声を聞く。彼女は正面玄関に急いで走っていき、扉を開けると、槍と盾とで武装したフンディングが広間に入ってきて、ジークムントの姿に気づくと扉のところで立ち止まる。フンディングは、厳しく問いただすような目つきで、ジークリンデを見つめる） ジークリンデ （フンディングの視線に応えるように） この人は疲れ切ってかまどの前に横たわっていました。 苦境に陥って我が家にたどりついたのですわ。 フンディング 傷を治してやったのか？ ジークリンデ 喉をうるおしてあげただけ。客としてのおもてなしをしただけです！ ジークムント （落ち着いて、しっかりとフンディングを見すえて） ひさしをお借りして、飲み物をいただきました。 それだけのことで奥様をお叱りになるのですか？ フンディング 我が家のかまどは聖なるかまど・・・ おぬしにとっても、我が家が聖なるものであるように！ （武具を外してジークリンデに手渡す。 彼女に向かって） 客と亭主に、食事の支度をしろ！ （ジークリンデは武具をトネリコの木の枝に懸けて、納屋から食べ物と飲み物を取出し、テーブルに夕食を用意する。彼女は無意識のうちに再びジークムントの顔を見る。 フンディングは、いぶかしげな鋭い視線をジークムントの顔に向けると、ジークリンデと見比べながら独り言を言う） こいつ・・・やけに、うちの奴に似ているぞ！ 目から蛇のようなものが、 ぎらぎら光っている。 （疑惑の念を押し隠し、何も気にしていないような様子でジークムントに向きなおる） なるほど、ずいぶん遠いところから来たようだな・・・ 馬に乗っていたわけでもないのに、ここで休息をとるのだから・・・いったい、どんな悪路に悩まされたのだ？ ジークムント 森と野原を越えてきましたが、 ずっと嵐と危険に追われていたので、 どの道を通ってきたのかは、わかりません。 どこに迷い込んだのかは、尚更のこと。 教えていただければ嬉しいのですが。 フンディング （テーブルにつくと、ジークムントにも椅子をすすめる） おぬしを守る屋根と家・・・ その持ち主はフンディングだ。 ここから西へ向かえば フンディングに忠誠を捧げる 一族郎党の家がたくさんある。 さあ、客人よ・・・ おぬしの名前も教えてもらえるかな？ （テーブルについたジークムントは物思いにふけるように前方をみつめる。フンディングと同時にジークムントの反対側に腰を下ろしたジークリンデは、はた目にもそれと分かる関心を示して、緊張してジークムントの様子を見つめる） フンディング （二人の様子をじっと観察しながら） このわしには教えられないというのなら、 妻には教えてもらえぬか？ どうやら聞きたくてたまらぬようだ！ ジークリンデ （気後れせずに、共感の気持ちをあふれさせて） あなたが誰なのか知りたいのです。 ジークムント （目をあげてジークリンデの眼を見つめながら、真剣に語り始める）フリートムント（平和を守る男）とは申せません。 できることならフローヴァルト（喜びの男）でありたいのに、 ヴェーヴァルト（悲しみの男）と名乗らねばならないのです。 ヴォルフェという名の父親から 私は双子として生まれました。 双子の妹と私です。 ですが、物心つかぬうちに、母と妹はいなくなりました。 生んだ母の顔も、いっしょに生まれた妹の顔も、 ほとんど覚えていないのです。 ヴォルフェは強い戦士でしたが、 敵がたくさんいました。 父は息子の私と狩りに出ましたが、 狩りの一団と別れて急いで帰ってきてみると、 ヴォルフェの家は空っぽでした。 豪華な広間は燃やされて瓦礫となり、 樫の木は切り倒されて切株となり、 母は打ち殺されて横たわり、 妹の姿は炎の中に消えていました。 これはナイディング一族の 手酷い仕業だったのです。 父は家を追われて私を連れて逃げ、 私は何年もの間、 深い森の中で父ヴォルフェと暮らしました。 森には何度も捜索の手が及びましたが、 ヴォルフェの親子は勇敢に身を守ったのです。 （フンディングに向かって） 今あなたに向かって語る私は、ヴェルフィング族。 人に「狼の一族」と呼ばれるヴェルフィングなのです。 フンディング 客人よ・・・なんという異様な話だ。 ヴェーヴァルト・・・ヴェルフィング族の男子！ 確かその強い親子について、 わしは、おそろしい噂を聞いたことがある。 ヴォルフェやヴェルフィングには会ったこともないが。 ジークリンデ お客様・・・もう少し教えてください。 あなたのお父様は今どちらにいらっしゃるのです？ ジークムント ナイディング族は大規模な捜索を森に仕掛けましたが、 彼らの多くは、狼に殺されたり、 獣に追われたりして、 森から退散しました。 私たちの敵は散り散りになったのです。 ですが、その時、私は父のもとから引き離され、 探しても探しても、父の足跡は見つかりませんでした。 ただひとつだけ、狼の毛皮を 森の中で見つけたのですが、 毛皮の下は空っぽで、父は見つかりませんでした。 そして、その後、私は森にいられなくなり、 世間の男たち女たちと知り合うことになりました。 しかし、いくら多くの人と出会っても、どこで出会っても、 友だちを作りたくても、恋人を手に入れようとしても、 いつも私はつまはじき・・・ 不幸がこの身にまとわりついていたのです。 私が正しいと考えたことが、人には悪いことに思え、 よくないと思えたことが、 人には好ましいことだったのです。 私は、この世のあらゆる場所で不和を巻き起こし、 行く先々で怒りを呼び起こし、 喜びを求めているはずなのに、悲しみしかもたらさない。 それゆえ、悲しみの男（ヴェーヴァルト）と名乗るしかなかったのです。この身は、悲しみしかもたらさないのですから。 （ジークリンデに向けて顔を上げると、 共感に満ちた眼差しに出会う） フンディング そんなにも悲惨な運命に定められたとは、よほどおぬしは、 運命の女神ノルンたちに愛されていないのだろう。 そんな男が見知らぬ客として訪れても、 誰一人歓迎するはずがないではないか。 ジークリンデ ひとりぼっちの丸腰の男を怖がるなんて、卑怯者だけですわ！ さあ、お客様、話してください。 あなたが戦いで武器さえ失ってしまったいきさつを！ ジークムント （ますます熱を込めて） ある娘が泣いて私に助けを求めました。 彼女の一族の者たちが、 愛もないのに、ある男と結婚させようとしていたのです。 私は彼女を守ろうと、強制的な結婚に逆らい、 押し寄せてくる縁者たちと戦い、 敵に勝利しました。 しかし彼女の兄弟たちは打ち殺されて、 娘の周りに横たわり、 娘は悲しみのあまり怒りを忘れるほどでした。 死の衝撃で、目から涙をほとばしらせて、 哀れな花嫁は 兄弟たちの死を嘆き悲しみました。 すると、一族の者たちが、また殺到して、 ものすごい勢いで復讐を叫び、 私の周りは敵でいっぱいになりました。 結局、娘が死をまぬがれることはできなかったのです・・・ 私はずっと槍と盾とで彼女をかばいましたが、 軍勢に囲まれて、どちらも砕けてしまいました。 私は傷を負い、武器もないまま その娘の死んでいく姿を見ていました。 荒れ狂う軍勢は私を追いかけまわし、 娘は兄弟たちの亡きがらの上にくずおれました。 （苦悩の炎を目に燃やしながら ジークリンデを見つめる） もうお分かりでしょう・・・奥様・・・ 私が「平和を守る男」（フリートムント）と名乗らないわけを！ （ジークムントは立ち上がり、かまどのほうへと歩いていく。ジークリンデは青ざめながらも、深く心を揺さぶられて床に目を落とす） フンディング （立ち上がり、きわめて重苦しい声で） わしは野蛮な一族を知っている。 他の一族にとって神聖なことが、その一族にとっては神聖でないのだ。彼らは、他のすべての者にとってと同様、わしにとっても憎むべき者たちだ。 わしは、戦の召集を受け、 一族の流した血の復讐をしに行った。 ところが、夜遅く家に帰ってみれば、 逃げてしまった無法者が、 ほかならぬ我が家で見つかるとは・・・。 （ジークムントに近づきながら） ヴェルフィングよ。今日は我が家に置いてやろう。 ここで夜を明かすがよい。 だが明日は強力な武器で身を守るがいい。 わしは明日を戦いの日と決めたのだ。 おぬしは死者の償いをせねばならぬ。 （ジークリンデは心配そうな身振りで進み出て、 二人の間に割って入る） フンディング （無愛想に） さっさと出ていけ！ぐずぐずするな！ 寝酒を用意して、 寝室でわしを待っていろ。 （ジークリンデは、意を決しかねるように物思いにふけりながら、しばし立ちすくんでいたが、やがてためらうような足取りで、ゆっくりと納屋に向かう。もう一度立ち止まると、物思いのあまり放心したように、顔を半ばそむけ、横顔だけをこちらに向けたまま立ちすくむ。だが、やがて意を決したように落ち着いて戸棚を開けると、酒杯に酒を満たし、小さな容器に入った粉薬をその中に振りかける。 そうしてからジークリンデはジークムントに目をやると、それまでずっと彼女に向けられていたジークムントの眼差しと出会うが、フンディングが様子を窺っていることに気づくと、すぐ寝室へと向かう。しかし、彼女は階段でもう一度だけ振り向くと、憧れのこもった眼差しでジークムントを見つめ、その眼差しで語りかけるように、しばらくトネリコの幹の一点を凝視する。だがフンディングが荒々しく身を起こし、激しい身振りでジークリンデを追い払うので、彼女はジークムントに最後の一瞥を与えて寝室に向かい、部屋の扉を閉める） フンディング （木の幹に懸けてあった自分の武具を取る） 男は、武器をもって戦うものだ。 （退場しながらジークムントに向かって） ヴェルフィングよ。また明日会おう。 意味が分かるな？せいぜい気をつけろということだ！ （武具を持ったまま寝室に入る。部屋の中から閂が下ろされる音が聞こえてくる） 第３場 （ジークムント、ジークリンデ） （ジークムントひとり。すっかり夜になってしまい、室内はかまどの弱い炎によって、かろうじて照らされている。ジークムントは炎の近くの寝床に腰を下ろし、心は激しく興奮しつつも、黙り込んで前方を見つめている） ジークムント 父さんが話していた剣・・・ 最大の危機に直面したときに見つかる剣。 今ぼくは丸腰で敵の家にいて、 復讐のかたに取られて、ここにとどまっている・・・。 美しく気高い女性をぼくは見た。 心は歓喜と不安におののいている。 あの女性は、ぼくの心にあこがれを呼び覚まし、 甘い魔法でぼくを引き寄せる・・・ なのに、よりによってその女性を、ぼくを無力と嘲笑うあの男が自分の意のままとしているなんて！ ヴェルゼよ！ヴェルゼ！あなたの剣はどこにあるのだ？ 強き剣。 嵐の中で振るう剣。 その剣は、ぼくの胸の中から現れないのか？ この荒れ狂う心の思いが剣とはならないのか？ （急にかまどの火がはじけ、噴き出す炎から現れるどぎつい光が、突然トネリコの幹の一点を照らし出す。前にジークリンデが目で示していたその場所に、剣のつかが刺さっているのがはっきりと見える） あそこでちらちらしている赤い光はなんだ？ トネリコの木から、どうしてあんな光が？ 目が見えない人にも届くほどの輝き・・・ 楽しく笑いかけるような眼差し・・・ ああ、なんと心を気高く燃やす光だ！ もしかしたら、これは あの花のような女性が去った時、 部屋に残していった眼差しの光だろうか？ （この時から、かまどの火は次第に弱まっていく） 夜の闇が目を覆ったとき、 あの女性の眼差しがぼくに触れ、 ぼくは、ぬくもりと光をこの手にした。 あの人の輝きは、太陽のように燦々と輝いて、 ぼくを頭上から光で満たし、 山の向こうに沈んでいった。 （一瞬、炎の残照が弱く映える） 去って行ってからも、もう一度、 あの人の光は夕映えのように輝き、 古いトネリコの木さえも 金色に燃えた。 だが、今や花はしぼみ、光は消え、 夜の闇が目を覆っている。 炎はもはや光を失い、この胸の奥に残るだけ・・・。 （炎はすっかり消えてしまい、闇夜になる。隣の部屋の扉が静かに開くと、白い服を身にまとったジークリンデが現れ、音を立てずに、急いでかまどの方へと歩み寄る） ジークリンデ お客様・・・寝ておいでですか？ ジークムント （嬉しい不意打ちに飛び起きながら） ここに来られるとは・・・どなたです？ ジークリンデ （いわくありげにあわただしく） 私です・・・聞いてください！ フンディングはぐっすり寝ています。 私が眠り薬を与えたのです。 今夜あなたが幸運を手にしますように！ ジークムント （興奮して話をさえぎる） あなたが来てくれただけで十分幸運ですよ！ ジークリンデ 武器のありかを教えます・・・ ああ、もしあなたが手に入れれば！ 最高の勇士とお呼びしますわ・・・ 最強の人にのみ与えられる武器なのですから。 さあ・・・私の言うことをよく聞いてください！ 一族の男たちが、この部屋に集まって フンディングの婚礼を祝っていました。 強盗たちが人目もはばからず贈り物とした娘を フンディングは妻としたのです。 彼らが酒盛りをしている間、私は悲しく座っていたのですが、 そのとき、見知らぬ人が入ってきました。 それは、青い衣装を身にまとった白髪の老人で、 帽子を目深にかぶって、 片目を隠していました。 ですが、残りの目の光だけでも男たち全員を不安にさせ、 恐れおののかせるのに十分でしたが、 その瞳は、なぜか私にだけは、 甘い憧れにみちた悲しみと、 涙と慰めとを同時に与えてくれるようでした。 老人は私を見つめたあと、男たちをじろりと見やると、 一振りの剣を手につかみ、 トネリコの幹に、 つかまで深く突き刺しました。 これを幹から引き抜くことができる者にこそ この剣はふさわしいのだと言い残して・・・。 しかし、並み居る男たちが、どんなに頑張っても、 誰も手に入れることはできませんでした。 男たちが何人も出たり入ったりして、 最強と自負する者たちが剣を引き抜こうとしましたが、 誰一人、報われることはありませんでした。 剣は、何事もなかったように、幹に突き刺さったままなのです・・・。ですが・・・いま私にはわかりました。 悲しんでいる私に会いにきてくれたあの人が誰だったのか。 誰のために剣を木に刺したのか。 ああ・・・私は今ここで友に会いたいのです・・・ 哀れな私のために、遠い国からやってくる友に。 そうすれば、ずっと苦しみ悩んできたことが、 辱められた心の痛みが、 すべて甘美な復讐へと変わるのです！ 失ったものを再びつかみ、 なくして泣いていたものを、この手に取り戻したいのです。 神聖な友を見つけ、 その勇士をこの手に抱きたいのです！ ジークムント （燃えるような情熱でジークリンデを抱きしめながら） その友は、今あなたを抱いていますよ・・・ 武器と妻とを与えられる友は！ あなたという素晴らしい女性を妻にしようとの誓いが 私の胸に熱く燃えています。 かつて憧れたものは、あなたの中にあり、 かつて失ったものを、あなたの中に見つけたのです！ あなたが苦しむとき 私もまた心を痛め、 私が嘲られるとき、あなたもともに傷つくのです・・・ なんと喜ばしい復讐が微笑みかけてくるのでしょう！ 私はいま聖なる歓びに満ちて高らかに笑い、 気高いあなたをこの手に抱きしめ、 あなたの胸の鼓動を感じているのです！ （大きな扉が突然バタンと開く） ジークリンデ （驚いてすくみあがり、身をもぎ離す） えっ、誰なの？誰が来たの？ （扉は広く開け放たれ、屋外には素晴らしい春の夜が広がっている。満月の光が上から射し込み、明るい光で二人を照らすと、二人は突然、互いの姿を一点の曇りもなく認め合う） ジークムント （静かに感動しながら） いいえ、誰も・・・。ですが一人だけ来た者がいます。 ご覧なさい。この部屋に射し込む春の微笑みを！ （ジークムントは、力強くやさしくジークリンデを寝床に引き寄せ、ジークリンデは彼の隣に腰をおろす。月明かりは神々しさを増していく） 冬の嵐は、 歓びの月の前に消え去った。 春はおだやかに光りかがやき、 やわらかな風に乗りながら、軽やかに愛らしく 奇蹟を織りなしながら揺れていく。 森と野原に息を吹きかけ、 まなこを見開いて笑いかける。 甘い小鳥の歌を歌い、 心地よい香りを放つ。 温かな血のぬくもりで、よろこびの花を咲かせ、 力を与えて新芽を吹かせる。 優美な力で、この世をつかさどり、 冬も嵐も、その強い力の前には消え去る。 春の一撃の前には、 ぼくらを春から引き離していた どんな頑丈な扉も開かずにはいられなかった・・・。 春は、その妹である愛のもとに舞い込みましたが、 愛こそが、春を誘ったのです・・・ ぼくたちの心の奥深くにあったものが、 いまはじめて光を浴びて微笑んでいるのです。 春という兄が、愛という妹を花嫁とし、 二人を離れ離れにしていたものは打ち砕かれました。 若者は、歓喜とともに結ばれ、 春と愛とは一つになったのです！ ジークリンデ あなたこそ春・・・私は待っていた・・・ 凍りつくような冬の間じゅうずっと。 心は聖なるおののきとともに、あなたを受け入れた・・・ あなたの瞳がはじめて私に向けられたとき。 今までは、すべてが見知らぬことばかりで、 身近には悲しいことしかなかった。 何が起こっても、 私にはわからないことだらけだった。 でも、はっきりとわかったの・・・あなたのことは。 私があなたを見つめたとき、 あなたはもう私のものだった。 心の奥深くに秘めていた私自身が 朝の陽ざしのようにまぶしく浮かび上がり・・・ ああ・・・鳴りわたる響きとなって、私の耳に届いたの。 見知らぬものばかりの凍てつく荒野で、 私がはじめて友を見い出したとき。 （ジークリンデは我を失ったようにジークムントの首に腕を巻きつけ、近くから彼の顔を見つめる） ジークムント （心を奪われたように） ああ・・・甘い歓び！ すばらしいひと！ ジークリンデ （まじかにジークムントの目を見つめる） ああ・・・もっと近くに行かせて・・・ 気高い光をはっきり見たいの・・・ あなたの顔と瞳から現れ出る 五感を甘く酔わせる光を。 ジークムント 春の月光を浴びて輝きながら あなたの髪は気高く波打っている。 私を惹きつけるものの正体が今はっきりとしました。 私は、美を目の前にする歓びに浸っているのですから。 ジークリンデ （ジークムントの額から髪をかきあげ、驚きを込めて彼の顔をしげしげと見つめる） あなたの額はなんと広く、 いくつもの血管がこめかみに集まっていることでしょう！ 歓びのあまり、ふるえがとまらない！ 奇蹟のような声が私の記憶を呼び起こす・・・ 今日はじめて目にしたはずのこの人は、 もうすでに会ったことのある人だ･･･と！ ジークムント 私にも、愛の夢が思い起こさせるのです・・・ 熱い憧れとともに、かつて私があなたの姿を見ていたことを！ ジークリンデ いつか小川に映した自分の姿・・・ それを今また見ています。 そのとき川面に浮かび上がった私自身の姿・・・ それが今目の前にいるあなたなのです！ ジークムント あなたこそ 私が胸に秘めていた姿。 ジークリンデ （急いで視線をそらしながら） ねえ、静かに！声を聞かせて・・・ まるで、子供の頃に 聞いたような響きだわ。 （いらだって） いいえ、そんなはずは！このまえ聞いただけだわ・・・ 私の声が 森にこだましたあのとき・・・ ジークムント ああ・・・なんと美しい音・・・ 私がいま聞いている声！ ジークリンデ （再びジークムントの瞳をのぞきこんで） あなたの目に燃える炎を見るのも初めてじゃないわ・・・ これは、あの老人が私を親しげに見つめ、 悲しんでいた私を慰めてくれた時に見た眼差し。 そのおかげで、私はあの老人の子だと気付いた・・・。 もう少しで名前で呼びかけそうなところだった！ （ジークリンデはいったん話をやめ、そのあと小声で続ける） あなたの名前は本当にヴェーヴァルトなの？ ジークムント あなたの愛をうけたからには、もうそうは名乗りません・・・ 私はいま最高の歓びを手にしているのですから！ ジークリンデ ですがフリートムントと 名乗ることもできないのでしょう？ ジークムント あなたが好きな名をつけてくれれば、私はそう名乗りましょう。あなたに名付けてもらいたいのです！ ジークリンデ たしか、お父様の名はヴォルフェでしたね？ ジークムント 臆病なキツネどもにとってはオオカミ（ヴォルフ）だったでしょう！ですが、その目の輝きは、オオカミではなく、 あなたという素晴らしい女性の目と同じでした。 父の本当の名・・・それはヴェルゼです。 ジークリンデ （我を失って） ヴェルゼがあなたの父親で、あなたがヴェルズング族ならば、 あの老人は、まさにあなたのために、木に剣を刺したのです。 私の愛の証として、私にあなたの名を付けさせてください・・・ジークムント・・・私はあなたをそう名付けます！ ジークムント （木の幹におどりかかって、剣のつかをつかむ） 我が名はジークムント！ジークムントこそ私！ 剣よ、証人となれ！ひるまずに、お前をこの手にするのは私だ！かつてヴェルゼは言った。最大の危機に陥ったとき、 お前は剣を手に入れるだろう・・・と。今こそその時だ！ 神聖なる愛の最大の危機（ノート）・・・ 危機は、愛の憧れを私の心にかきたて、 あかあかと胸に燃え広がりながら、 行動するのだ、死ぬのだと、私に迫ってくる・・・ ノートゥング！ノートゥング！これがお前の名だ、剣よ・・・ ノートゥング！ノートゥング！誰もがうらやむ剣よ！ 切っ先鋭い刃を見せよ！ 鞘から姿を現すのだ！ （恐ろしい力で一息に剣を幹から引き抜くと、驚きと歓喜のうちにあるジークリンデに、その剣を見せる） さあ、ヴェルズング族のジークムントをご覧ください！ この剣を婚礼の贈り物とし、 我が妻に選んだ最高の女性であるあなたを 敵の家から奪い去るのは、 このジークムントなのです。 私とともに、ここから遠く離れた場所に行きましょう。 春が微笑む屋敷に行きましょう・・・ そこでは、ノートゥングがあなたを守ります。 ジークムントがあなたへの愛に生きる限り！ （ジークリンデを抱きしめ、手を取ってその場を立ち去ろうとする） ジークリンデ （最高の陶酔に浸りながらも、ジークムントから身を離し、彼と真正面から向き合う） 私の目の前にいるあなたがジークムントなら、 あなたを求める私はジークリンデ・・・ あなたは、実の妹と 剣とを一挙に手に入れたのです！ ジークムント あなたは妻にして妹・・・私は兄・・・ 栄えよ！ヴェルズング族の血よ！ （ジークムントは狂おしいばかりの情熱でジークリンデを抱き、彼女は大きく声を上げて彼の胸に顔を沈める。幕が素早く下りる） ERSTER AUFZUG VORSPIEL UND ERSTE SZENE Siegmund, Sieglinde Das Innere eines Wohnraumes. In der Mitte steht der Stamm einer mächtigen Esche, dessen stark erhabene Wurzeln sich weithin in den Erdboden verlieren; von seinem Wipfel ist der Baum durch ein gezimmertes Dach geschieden, welches so durchschnitten ist, dass der Stamm und die nach allen Seiten hin sich ausstreckenden Äste durch genau entsprechende Öffnungen hindurchgehen; von dem belaubten Wipfel wird angenommen, dass er sich über dieses Dach ausbreite. Um den Eschenstamm, als Mittelpunkt, ist nun ein Saal gezimmert; die Wände sind aus roh behauenem Holzwerk, hier und da mit geflochtenen und gewebten Decken behangen. Rechts im Vordergrunde steht der Herd, dessen Rauchfang seitwärts zum Dache hinausführt hinter dem Herde befindet sich ein innerer Raum, gleich einem Vorratsspeicher, zu dem man auf einigen hölzernen Stufen hinaufsteigt davor hängt, halb zurückgeschlagen, eine geflochtene Decke. Im Hintergrunde eine Eingangstür mit schlichtem Holzriegel. Links die Tür zu einem inneren Gemache, zu dem gleichfalls Stufen hinaufführen; weiter vornen auf derselben Seite ein Tisch mit einer breiten, an der Wand angezimmerten Bank dahinter und hölzernen Schemeln davor Ein kurzes Orchestervorspiel von heftiger, stürmischer Bewegung leitet ein. Als der Vorhang aufgeht, öffnet Siegmund von aussen hastig die Eingangstür und tritt ein es ist gegen Abend, starkes Gewitter, im Begriff, sich zu legen. Siegmund hält einen Augenblick den Riegel in der Hand und überblickt den Wohnraum er scheint von übermässiger Anstrengung erschöpft; sein Gewand und Aussehen zeigen, dass er sich auf der Flucht befinde. Da er niemand gewahrt, schliesst er die Tür hinter sich, schreitet auf den Herd zu und wirft sich dort ermattet auf eine Decke von Bärenfell SIEGMUND Wes Herd dies auch sei, hier muss ich rasten. Er sinkt zurück und bleibt einige Zeit regungslos ausgestreckt. Sieglinde tritt aus der Tür des inneren Gemaches; sie glaubte ihren Mann heimgekehrt ihre ernste Miene zeigt sich dann verwundert, als sie einen Fremden am Herde ausgestreckt sieht SIEGLINDE noch im Hintergrunde Ein fremder Mann? Ihn muss ich fragen. Sie tritt ruhig einige Schritte näher Wer kam ins Haus und liegt dort am Herd? Da Siegmund sich nicht regt, tritt sie noch etwas näher und betrachtet ihn Müde liegt er, von Weges Müh n. Schwanden die Sinne ihm? Wäre er siech? Sie neigt sich zu ihm herab und lauscht Noch schwillt ihm der Atem; das Auge nur schloss er. - Mutig dünkt mich der Mann, sank er müd auch hin. SIEGMUND fährt jäh mit dem Haupt in die Höhe Ein Quell! Ein Quell! SIEGLINDE Erquickung schaff ich. Sie nimmt schnell ein Trinkhorn und geht damit aus dem Hause. Sie kommt zurück und reicht das gefüllte Trinkhorn Siegmund Labung biet ich dem lechzenden Gaumen Wasser, wie du gewollt. Siegmund trinkt und reicht ihr das Horn zurück. Als er ihr mit dem Haupte Dank zuwinkt, haftet sein Blick mit steigender Teilnahme an ihren Mienen SIEGMUND Kühlende Labung gab mir der Quell, des Müden Last machte er leicht erfrischt ist der Mut, das Aug erfreut des Sehens selige Lust. Wer ist s, der so mir es labt? SIEGLINDE Dies Haus und dies Weib sind Hundings Eigen; gastlich gönn er dir Rast harre, bis heim er kehrt! SIEGMUND Waffenlos bin ich dem wunden Gast wird dein Gatte nicht wehren. SIEGLINDE mit besorgter Hast Die Wunden weise mir schnell! SIEGMUND schüttelt sich und springt lebhaft vom Lager zum Sitz auf Gering sind sie, der Rede nicht wert; noch fügen des Leibes Glieder sich fest. Hätten halb so stark wie mein Arm Schild und Speer mir gehalten, nimmer floh ich dem Feind, doch zerschellten mir Speer und Schild. Der Feinde Meute hetzte mich müd , Gewitterbrunst brach meinen Leib; doch schneller, als ich der Meute, schwand die Müdigkeit mir sank auf die Lider mir Nacht; die Sonne lacht mir nun neu. SIEGLINDE geht nach dem Speicher, füllt ein Horn mit Met und reicht es Siegmund mit freundlicher Bewegtheit Des seimigen Metes süssen Trank mög st du mir nicht verschmähn. SIEGMUND Schmecktest du mir ihn zu? Sieglinde nippt am Horne und reicht es ihm wieder. Siegmund tut einen langen Zug, indem er den Blick mit wachsender Wärme auf sie heftet. Er setzt so das Horn ab und lässt es langsam sinken, während der Ausdruck seiner Miene in starke Ergriffenheit übergeht. Er seufzt tief auf und senkt den Blick düster zu Boden SIEGMUND mit bebender Stimme Einen Unseligen labtest du Unheil wende der Wunsch von dir! Er bricht schnell auf, um fortzugehen Gerastet hab ich und süss geruht. Weiter wend ich den Schritt. er geht nach hinten SIEGLINDE lebhaft sich umwendend Wer verfolgt dich, dass du schon fliehst? SIEGMUND von ihrem Rufe gefesselt, wendet sich wieder; langsam und düster Misswende folgt mir, wohin ich fliehe; Misswende naht mir, wo ich mich neige. - Dir, Frau, doch bleibe sie fern! Fort wend ich Fuss und Blick. Er schreitet schnell bis zur Tür und hebt den Riegel SIEGLINDE in heftigem Selbstvergessen ihm nachrufend So bleibe hier! Nicht bringst du Unheil dahin, wo Unheil im Hause wohnt! Siegmund bleibt tief erschüttert stehen; er forscht in Sieglindes Mienen; diese schlägt verschämt und traurig die Augen nieder. Langes Schweigen SIEGMUND kehrt zurück Wehwalt hiess ich mich selbst Hunding will ich erwarten. Er lehnt sich an den Herd; sein Blick haftet mit ruhiger und entschlossener Teilnahme an Sieglinde; diese hebt langsam das Auge wieder zu ihm auf. Beide blicken sich in langem Schweigen mit dem Ausdruck tiefster Ergriffenheit in die Augen ZWEITE SZENE Die Vorigen, Hunding Sieglinde fährt plötzlich auf, lauscht und hört Hunding, der sein Ross aussen zum Stall führt. Sie geht hastig zur Tür und öffnet; Hunding, gewaffnet mit Schild und Speer, tritt ein und hält unter der Tür, als er Siegmund gewahrt. Hunding wendet sich mit einem ernst fragenden Blick an Sieglinde SIEGLINDE dem Blicke Hundings entgegnend Müd am Herd fand ich den Mann Not führt ihn ins Haus. HUNDING Du labtest ihn? SIEGLINDE Den Gaumen letzt ich ihm, gastlich sorgt ich sein! SIEGMUND der ruhig und fest Hunding beobachtet Dach und Trank dank ich ihr willst du dein Weib drum schelten? HUNDING Heilig ist mein Herd - heilig sei dir mein Haus! er legt seine Waffen ab und übergibt sie Sieglinde. Zu Sieglinde Rüst uns Männern das Mahl! Sieglinde hängt die Waffen an Ästen des Eschenstammes auf, dann holt sie Speise und Trank aus dem Speicher und rüstet auf dem Tische das Nachtmahl. Unwillkürlich heftet sie wieder den Blick auf Siegmund. Hunding misst scharf und verwundert Siegmunds Züge, die er mit denen seiner Frau vergleicht; für sich Wie gleicht er dem Weibe! Der gleissende Wurm glänzt auch ihm aus dem Auge. er birgt sein Befremden und wendet sich wie unbefangen zu Siegmund Weit her, traun, kamst du des Wegs; ein Ross nicht ritt, der Rast hier fand welch schlimme Pfade schufen dir Pein? SIEGMUND Durch Wald und Wiese, Heide und Hain, jagte mich Sturm und starke Not nicht kenn ich den Weg, den ich kam. Wohin ich irrte, weiss ich noch minder Kunde gewänn ich des gern. HUNDING am Tische und Siegmund den Sitz bietend Des Dach dich deckt, des Haus dich hegt, Hunding heisst der Wirt; wendest von hier du nach West den Schritt, in Höfen reich hausen dort Sippen, die Hundings Ehre behüten. Gönnt mir Ehre mein Gast, wird sein Name nun mir gennant. Siegmund, der sich am Tisch niedergesetzt, blickt nachdenklich vor sich hin. Sieglinde, die sich neben Hunding, Siegmund gegenüber, gesetzt, heftet ihr Auge mit auffallender Teilnahme und Spannung auf diesen HUNDING der beide beobachtet Trägst du Sorge, mir zu vertraun, der Frau hier gib doch Kunde sieh, wie gierig sie dich frägt! SIEGLINDE unbefangen und teilnahmsvoll Gast, wer du bist, wüsst ich gern. SIEGMUND blickt auf, sieht ihr in das Auge und beginnt ernst Friedmund darf ich nicht heissen; Frohwalt möcht ich wohl sein doch Wehwalt musst ich mich nennen. Wolfe, der war mein Vater; zu zwei kam ich zur Welt, eine Zwillingsschwester und ich. Früh schwanden mir Mutter und Maid. Die mich gebar und die mit mir sie barg, kaum hab ich je sie gekannt. Wehrlich und stark war Wolfe; der Feinde wuchsen ihm viel. Zum Jagen zog mit dem Jungen der Alte Von Hetze und Harst einst kehrten wir heim da lag das Wolfsnest leer. Zu Schutt gebrannt der prangende Saal, zum Stumpf der Eiche blühender Stamm; erschlagen der Mutter mutiger Leib, verschwunden in Gluten der Schwester Spur uns schuf die herbe Not der Neidinge harte Schar. Geächtet floh der Alte mit mir; lange Jahre lebte der Junge mit Wolfe im wilden Wald manche Jagd ward auf sie gemacht; doch mutig wehrte das Wolfspaar sich. zu Hunding gewandt Ein Wölfing kündet dir das, den als "Wölfing" mancher wohl kennt. HUNDING Wunder und wilde Märe kündest du, kühner Gast, Wehwalt - der Wölfing! Mich dünkt, von dem wehrlichen Paar vernahm ich dunkle Sage, kannt ich auch Wolfe und Wölfing nicht. SIEGLINDE Doch weiter künde, Fremder wo weilt dein Vater jetzt? SIEGMUND Ein starkes Jagen auf uns stellten die Neidinge an der Jäger viele fielen den Wölfen, in Flucht durch den Wald trieb sie das Wild. Wie Spreu zerstob uns der Feind. Doch ward ich vom Vater versprengt; seine Spur verlor ich, je länger ich forschte eines Wolfes Fell nur traf ich im Forst; leer lag das vor mir, den Vater fand ich nicht. Aus dem Wald trieb es mich fort; mich drängt es zu Männern und Frauen. Wieviel ich traf, wo ich sie fand, ob ich um Freund , um Frauen warb, immer doch war ich geächtet Unheil lag auf mir. Was Rechtes je ich riet, andern dünkte es arg, was schlimm immer mir schien, andre gaben ihm Gunst. In Fehde fiel ich, wo ich mich fand, Zorn traf mich, wohin ich zog; gehrt ich nach Wonne, weckt ich nur Weh drum musst ich mich Wehwalt nennen; des Wehes waltet ich nur. Er sieht zu Sieglinde auf und gewahrt ihren teilnehmenden Blick HUNDING Die so leidig Los dir beschied, nicht liebte dich die Norn froh nicht grüsst dich der Mann, dem fremd als Gast du nahst. SIEGLINDE Feige nur fürchten den, der waffenlos einsam fährt! - Künde noch, Gast, wie du im Kampf zuletzt die Waffe verlorst! SIEGMUND immer lebhafter Ein trauriges Kind rief mich zum Trutz vermählen wollte der Magen Sippe dem Mann ohne Minne die Maid. Wider den Zwang zog ich zum Schutz, der Dränger Tross traf ich im Kampf dem Sieger sank der Feind. Erschlagen lagen die Brüder die Leichen umschlang da die Maid, den Grimm verjagt ihr der Gram. Mit wilder Tränen Flut betroff sie weinend die Wal um des Mordes der eignen Brüder klagte die unsel ge Braut. Der Erschlagnen Sippen stürmten daher; übermächtig ächzten nach Rache sie; rings um die Stätte ragten mir Feinde. Doch von der Wal wich nicht die Maid; mit Schild und Speer schirmt ich sie lang , bis Speer und Schild im Harst mir zerhaun. Wund und waffenlos stand ich - sterben sah ich die Maid mich hetzte das wütende Heer - auf den Leichen lag sie tot. mit einem Blicke voll schmerzlichen Feuers auf Sieglinde Nun weisst du, fragende Frau, warum ich Friedmund nicht heisse! Er steht auf und schreitet auf den Herd zu. Sieglinde blickt erbleichend und tief erschüttert zu Boden HUNDING erhebt sich, sehr finster Ich weiss ein wildes Geschlecht, nicht heilig ist ihm, was andern hehr verhasst ist es allen und mir. Zur Rache ward ich gerufen, Sühne zu nehmen für Sippenblut zu spät kam ich, und kehrte nun heim, des flücht gen Frevlers Spur im eignen Haus zu erspähn. - Er geht herab Mein Haus hütet, Wölfing, dich heut ; für die Nacht nahm ich dich auf; mit starker Waffe doch wehre dich morgen; zum Kampfe kies ich den Tag für Tote zahlst du mir Zoll. Sieglinde schreitet mit besorgter Gebärde zwischen die beiden Männer vor HUNDING barsch Fort aus dem Saal! Säume hier nicht! Den Nachttrunk rüste mir drin und harre mein zur Ruh . Sieglinde steht eine Weile unentschieden und sinnend. Sie wendet sich langsam und zögernden Schrittes nach dem Speicher. Dort hält sie wieder an und bleibt, in Sinnen verloren, mit halb abgewandtem Gesicht stehen. Mit ruhigem Entschluss öffnet sie den Schrein, füllt ein Trinkhorn und schüttet aus einer Büchse Würze hinein. Dann wendet sie das Auge auf Siegmund, um seinem Blicke zu begegnen, den dieser fortwährend auf sie heftet. Sie gewahrt Hundings Spähen und wendet sich sogleich zum Schlafgemach. Auf den Stufen kehrt sie sich noch einmal um, heftet das Auge sehnsuchtsvoll auf Siegmund und deutet mit dem Blicke andauernd und mit sprechender Bestimmtheit auf eine Stelle am Eschenstamme. Hunding fährt auf und treibt sie mit einer heftigen Gebärde zum Fortgehen an. Mit einem letzten Blick auf Siegmund geht sie in das Schlafgemach und schliesst hinter sich die Türe HUNDING nimmt seine Waffen vom Stamme herab Mit Waffen wehrt sich der Mann. Im Abgehen sich zu Siegmund wendend Dich Wölfing treffe ich morgen; mein Wort hörtest du, hüte dich wohl! Er geht mit den Waffen in das Gemach; man hört ihn von innen den Riegel schliessen DRITTE SZENE Siegmund, Sieglinde Siegmund allein. Es ist vollständig Nacht geworden; der Saal ist nur noch von einem schwachen Feuer im Herde erhellt. Siegmund lässt sich, nah beim Feuer, auf dem Lager nieder und brütet in grosser innerer Aufregung eine Zeitlang schweigend vor sich hin SIEGMUND Ein Schwert verhiess mir der Vater, ich fänd es in höchster Not. Waffenlos fiel ich in Feindes Haus; seiner Rache Pfand, raste ich hier - ein Weib sah ich, wonnig und hehr entzückend Bangen zehrt mein Herz. Zu der mich nun Sehnsucht zieht, die mit süssem Zauber mich sehrt, im Zwange hält sie der Mann, der mich Wehrlosen höhnt! Wälse! Wälse! Wo ist dein Schwert? Das starke Schwert, das im Sturm ich schwänge, bricht mir hervor aus der Brust, was wütend das Herz noch hegt? Das Feuer bricht zusammen; es fällt aus der aufsprühenden Glut plötzlich ein greller Schein auf die Stelle des Eschenstammes, welche Sieglindes Blick bezeichnet hatte und an der man jetzt deutlich einen Schwertgriff haften sieht Was gleisst dort hell im Glimmerschein? Welch ein Strahl bricht aus der Esche Stamm? Des Blinden Auge leuchtet ein Blitz lustig lacht da der Blick. Wie der Schein so hehr das Herz mir sengt! Ist es der Blick der blühenden Frau, den dort haftend sie hinter sich liess, als aus dem Saal sie schied? von hier an verglimmt das Herdfeuer allmählich Nächtiges Dunkel deckte mein Aug , ihres Blickes Strahl streifte mich da Wärme gewann ich und Tag. Selig schien mir der Sonne Licht; den Scheitel umgliss mir ihr wonniger Glanz - bis hinter Bergen sie sank. Ein neuer schwacher Aufschein des Feuers Noch einmal, da sie schied, traf mich abends ihr Schein; selbst der alten Esche Stamm erglänzte in goldner Glut da bleicht die Blüte, das Licht verlischt; nächtiges Dunkel deckt mir das Auge tief in des Busens Berge glimmt nur noch lichtlose Glut. Das Feuer ist gänzlich verloschen volle Nacht. Das Seitengemach öffnet sich leise Sieglinde, in weissem Gewande, tritt heraus und schreitet leise, doch rasch, auf den Herd zu SIEGLINDE Schläfst du, Gast? SIEGMUND freudig überrascht aufspringend Wer schleicht daher? SIEGLINDE mit geheimnisvoller Hast Ich bin s höre mich an! In tiefem Schlaf liegt Hunding; ich würzt ihm betäubenden Trank nütze die Nacht dir zum Heil! SIEGMUND hitzig unterbrechend Heil macht mich dein Nah n! SIEGLINDE Eine Waffe lass mich dir weisen o wenn du sie gewännst! Den hehrsten Helden dürft ich dich heissen dem Stärksten allein ward sie bestimmt. O merke wohl, was ich dir melde! Der Männer Sippe sass hier im Saal, von Hunding zur Hochzeit geladen er freite ein Weib, das ungefragt Schächer ihm schenkten zur Frau. Traurig sass ich, während sie tranken; ein Fremder trat da herein ein Greis in blauem Gewand; tief hing ihm der Hut, der deckt ihm der Augen eines; doch des andren Strahl, Angst schuf es allen, traf die Männer sein mächtiges Dräu n mir allein weckte das Auge süss sehnenden Harm, Tränen und Trost zugleich. Auf mich blickt er und blitzte auf jene, als ein Schwert in Händen er schwang; das stiess er nun in der Esche Stamm, bis zum Heft haftet es drin dem sollte der Stahl geziemen, der aus dem Stamm es zög . Der Männer alle, so kühn sie sich mühten, die Wehr sich keiner gewann; Gäste kamen und Gäste gingen, die stärksten zogen am Stahl - keinen Zoll entwich er dem Stamm dort haftet schweigend das Schwert. - Da wusst ich, wer der war, der mich Gramvolle gegrüsst; ich weiss auch, wem allein im Stamm das Schwert er bestimmt. O fänd ich ihn hier und heut , den Freund; käm er aus Fremden zur ärmsten Frau. Was je ich gelitten in grimmigem Leid, was je mich geschmerzt in Schande und Schmach, - süsseste Rache sühnte dann alles! Erjagt hätt ich, was je ich verlor, was je ich beweint, wär mir gewonnen, fänd ich den heiligen Freund, umfing den Helden mein Arm! SIEGMUND mit Glut Sieglinde umfassend Dich selige Frau hält nun der Freund, dem Waffe und Weib bestimmt! Heiss in der Brust brennt mir der Eid, der mich dir Edlen vermählt. Was je ich ersehnt, ersah ich in dir; in dir fand ich, was je mir gefehlt! Littest du Schmach, und schmerzte mich Leid; war ich geächtet, und warst du entehrt freudige Rache lacht nun den Frohen! Auf lach ich in heiliger Lust, halt ich dich Hehre umfangen, fühl ich dein schlagendes Herz! Die grosse Türe springt auf SIEGLINDE fährt erschrocken zusammen und reisst sich los Ha, wer ging? Wer kam herein? Die Tür bleibt weit geöffnet aussen herrliche Frühlingsnacht; der Vollmond leuchtet herein und wirft sein helles Licht auf das Paar, das so sich plötzlich in voller Deutlichkeit wahrnehmen kann SIEGMUND in leiser Entzückung Keiner ging - doch einer kam siehe, der Lenz lacht in den Saal! Siegmund zieht Sieglinde mit sanfter Gewalt zu sich auf das Lager, so dass sie neben ihm zu sitzen kommt, Wachsende Helligkeit des Mondscheines Winterstürme wichen dem Wonnemond, in mildem Lichte leuchtet der Lenz; auf linden Lüften leicht und lieblich, Wunder webend er sich wiegt; durch Wald und Auen weht sein Atem, weit geöffnet lacht sein Aug - aus sel ger Vöglein Sange süss er tönt, holde Düfte haucht er aus; seinem warmen Blut entblühen wonnige Blumen, Keim und Spross entspringt seiner Kraft. Mit zarter Waffen Zier bezwingt er die Welt; Winter und Sturm wichen der starken Wehr wohl musste den tapfern Streichen die strenge Türe auch weichen, die trotzig und starr uns trennte von ihm. - Zu seiner Schwester schwang er sich her; die Liebe lockte den Lenz in unsrem Busen barg sie sich tief; nun lacht sie selig dem Licht. Die bräutliche Schwester befreite der Bruder; zertrümmert liegt, was je sie getrennt jauchzend grüsst sich das junge Paar vereint sind Liebe und Lenz! SIEGLINDE Du bist der Lenz, nach dem ich verlangte in frostigen Winters Frist. Dich grüsste mein Herz mit heiligem Grau n, als dein Blick zuerst mir erblühte. Fremdes nur sah ich von je, freudlos war mir das Nahe. Als hätt ich nie es gekannt, war, was immer mir kam. Doch dich kannt ich deutlich und klar als mein Auge dich sah, warst du mein Eigen; was im Busen ich barg, was ich bin, hell wie der Tag taucht es mir auf, o wie tönender Schall schlug s an mein Ohr, als in frostig öder Fremde zuerst ich den Freund ersah. Sie hängt sich entzückt an seinen Hals und blickt ihm nahe ins Gesicht SIEGMUND mit Hingerissenheit O süsseste Wonne! O seligstes Weib! SIEGLINDE dicht an seinen Augen O lass in Nähe zu dir mich neigen, dass hell ich schaue den hehren Schein, der dir aus Aug und Antlitz bricht und so süss die Sinne mir zwingt. SIEGMUND Im Lenzesmond leuchtest du hell; hehr umwebt dich das Wellenhaar was mich berückt, errat ich nun leicht, denn wonnig weidet mein Blick. SIEGLINDE schlägt ihm die Locken von der Stirn zurück und betrachtet ihn staunend Wie dir die Stirn so offen steht, der Adern Geäst in den Schläfen sich schlingt! Mir zagt es vor der Wonne, die mich entzückt! Ein Wunder will mich gemahnen den heut zuerst ich erschaut, mein Auge sah dich schon! SIEGMUND Ein Minnetraum gemahnt auch mich in heissem Sehnen sah ich dich schon! SIEGLINDE Im Bach erblickt ich mein eigen Bild - und jetzt gewahr ich es wieder wie einst dem Teich es enttaucht, bietest mein Bild mir nun du! SIEGMUND Du bist das Bild, das ich in mir barg. SIEGLINDE den Blick schnell abwendend O still! Lass mich der Stimme lauschen mich dünkt, ihren Klang hört ich als Kind. aufgeregt Doch nein! Ich hörte sie neulich, als meiner Stimme Schall mir widerhallte der Wald. SIEGMUND O lieblichste Laute, denen ich lausche! SIEGLINDE ihm wieder in die Augen spähend Deines Auges Glut erglänzte mir schon so blickte der Greis grüssend auf mich, als der Traurigen Trost er gab. An dem Blick erkannt ihn sein Kind - schon wollt ich beim Namen ihn nennen! Sie hält inne und fährt dann leise fort Wehwalt heisst du fürwahr? SIEGMUND Nicht heiss ich so, seit du mich liebst nun walt ich der hehrsten Wonnen! SIEGLINDE Und Friedmund darfst du froh dich nicht nennen? SIEGMUND Nenne mich du, wie du liebst, dass ich heisse den Namen nehm ich von dir! SIEGLINDE Doch nanntest du Wolfe den Vater? SIEGMUND Ein Wolf war er feigen Füchsen! Doch dem so stolz strahlte das Auge, wie, Herrliche, hehr dir es strahlt, der war - Wälse genannt. SIEGLINDE ausser sich War Wälse dein Vater, und bist du ein Wälsung, stiess er für dich sein Schwert in den Stamm, so lass mich dich heissen, wie ich dich liebe Siegmund - so nenn ich dich! SIEGMUND springt auf den Stamm zu und fasst den Schwertgriff Siegmund heiss ich und Siegmund bin ich! Bezeug es dies Schwert, das zaglos ich halte! Wälse verhiess mir, in höchster Not fänd ich es einst ich fass es nun! Heiligster Minne höchste Not, sehnender Liebe sehrende Not brennt mir hell in der Brust, drängt zu Tat und Tod Notung! Notung! So nenn ich dich, Schwert - Notung! Notung! Neidlicher Stahl! Zeig deiner Schärfe schneidenden Zahn heraus aus der Scheide zu mir! Er zieht mit einem gewaltigen Zuck das Schwert aus dem Stamme und zeigt es der von Staunen und Entzücken erfassten Sieglinde Siegmund, den Wälsung, siehst du, Weib! Als Brautgabe bringt er dies Schwert so freit er sich die seligste Frau; dem Feindeshaus entführt er dich so. Fern von hier folge mir nun, fort in des Lenzes lachendes Haus dort schützt dich Notung, das Schwert, wenn Siegmund dir liebend erlag! Er hat sie umfasst, um sie mit sich fortzuziehen SIEGLINDE reisst sich in höchster Trunkenheit von ihm los und stellt sich ihm gegenüber Bist du Siegmund, den ich hier sehe, Sieglinde bin ich, die dich ersehnt die eigne Schwester gewannst du zu eins mit dem Schwert! SIEGMUND Braut und Schwester bist du dem Bruder - so blühe denn, Wälsungen-Blut! Er zieht sie mit wütender Glut an sich; sie sinkt mit einem Schrei an seine Brust. Der Vorhang fällt schnell この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Wagner,Richard/Die Walküre/II+
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Information Technology Telecommunications and Information Exchange Between Systems Local and Metropolitan Area Networks Specific Requirements Token Ring Access Method and Physical Layer Specifications Inst of Elect & Electronic? InstofElect&Electronic? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-LAN? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-General? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Science-General Subjects-Science-Technology-General&Reference IEEE Standards for Local and Metropolitan Area Networks Recommended Practice for Media Access Control (Mac) Bridging of Ethernet V2.0 in IEEE 802 Local Area Networks Inst of Elect & Electronic? 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IEEEComputerSociety.PortableApplicationsStandardsCommittee? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-Networking-Standards-Posix? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Computers&Internet-General? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-General Electromagnetic Compatibility (Emc) 1996 IEEE Standards Collection Inst of Elect & Electronic? InstofElect&Electronic? Substores-UnknownASINs-35 Subjects-Science-General Subjects-Science-Technology-General&Reference Carrier Sense Multiple Access With Collision Detection (Csma/Cd) Access Method and Physical Layer Specifications Inst of Elect & Electronic? 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Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Television Disrupted The Transition from Network to Networked TV Focal Pr? Shelly Palmer? FocalPr? ShellyPalmer? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Telecommunications-Television&Video? Subjects-Entertainment-Movies-Video-Technical? Subjects-Entertainment-Television-General? Subjects-Entertainment-Television-History&Criticism? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-Television&Video? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? The Near-surface Layer of the Ocean Structure, Dynamics And Applications (Atmospheric and Oceanographic Sciences Library) Kluwer Academic Pub? Alexander Soloviev? Roger Lukas? KluwerAcademicPub? AlexanderSoloviev? RogerLukas? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Civil-RemoteSensing? Subjects-Outdoors&Nature-Ecology-Rivers? Subjects-Outdoors&Nature-Environment-Weather? Subjects-Professional&Technical-Engineering-Civil-RemoteSensing? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-MarineBiology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-General? Subjects-Science-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Rivers? Subjects-Science-EarthSciences-Weather? 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Subjects-Science-General Aromatic Chemistry (Basic Concepts in Chemistry) John Wiley & Sons Inc? John D. Hepworth? David R. Waring? Michael J. Waring? JohnWiley&SonsInc? JohnD.Hepworth? DavidR.Waring? MichaelJ.Waring? ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Substores-UnknownASINs-59? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Organic? Subjects-Science-Chemistry-Organic-General? Subjects-Science-General Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Information Theory and Statistics (Dover Books on Mathematics) Dover Pubns? Solomon Kullback? DoverPubns? SolomonKullback? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Computers&Internet-ComputerScience-InformationTheory? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Hidden Markov Models for Bioinformatics (Computational Biology) Kluwer Academic Pub? Timo Koski? KluwerAcademicPub? TimoKoski? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Networking-DataintheEnterprise-StatisticalComputing? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ArtificialLife? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-General? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Zoology-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-BiologicalSciences-Zoology-General? Subjects-Science-BiologicalSciences-Bioinformatics? Mass Spectrometry Modified Proteins And Glycoconjugates (Methods in Enzymology) Academic Pr? A. L. Burlingame? AcademicPr? A.L.Burlingame? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-AgriculturalSciences-Biochemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biology-MolecularBiology? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biophysics? Subjects-Professional&Technical-ProfessionalScience-Physics-Statics? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Subjects-Science-Physics-Statics? Subjects-Science-Physics-Biophysics? Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Dsp Processor Fundamentals Architectures and Features (Ieee Press Series on Signal Processing) Ieee? Phil Lapsley? Jeff Bier? Amit Shinham? Edward A. Lee? Amit Shoham? Ieee? PhilLapsley? JeffBier? AmitShinham? EdwardA.Lee? AmitShoham? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-DSPs? Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-General? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Applied? Aircraft Engine Design (Aiaa Education Series) Amer Inst of Aeronautics &? Jack D. Mattingly? William H. Heiser? David T. Pratt? AmerInstofAeronautics&? JackD.Mattingly? WilliamH.Heiser? DavidT.Pratt? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Aerospace? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Astronomy-Aeronautics&Astronautics? Visual Complex Analysis Clarendon Pr? Tristan Needham? ClarendonPr? TristanNeedham? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalAnalysis? Subjects-Science-General Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-Applied-General? Matrix Algebra Useful for Statistics (Wiley Series in Probability and Statistics) Wiley-Interscience? Shayle R. Searle? S. R. Searle? Wiley-Interscience? ShayleR.Searle? S.R.Searle? ユーズドブック(洋書)-Science? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Matrices? Double Stars for Small Telescopes More Than 2,100 Stellar Gems for Backyard Observers (Stargazing Series) Sky Pub Corp? Sissy Haas? SkyPubCorp? SissyHaas? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Outdoors&Nature-Ecology-StarGazing? Subjects-Outdoors&Nature-NaturalResources-Rocks&Minerals? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Astronomy? Subjects-Science-EarthSciences-Rocks&Minerals? Subjects-Science-General Subjects-Science-Nature&Ecology-StarGazing? Subjects-Science-Astronomy-Astronomy? Foundations of Differential Geometry (Wiley Classics Library) Wiley-Interscience? Shoshichi Kobayashi? Katsumi Nomizu? Wiley-Interscience? ShoshichiKobayashi? KatsumiNomizu? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-DifferentialGeometry? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Geometry&Topology-GeneralGeometry? Subjects-Science-Mathematics-Geometry&Topology-DifferentialGeometry? Numerical Bayesian Methods Applied to Signal Processing (Statistics and Computing) Springer? Joseph J. K. O Ruanaidh? William John Fitzgerald? Springer? JosephJ.K.ORuanaidh? WilliamJohnFitzgerald? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Physics-Applied? Mesoscopic Physics of Electrons and Photons Cambridge Univ Pr (Sd)? Eric Akkermans? Gilles Montambaux? CambridgeUnivPr(Sd)? EricAkkermans? GillesMontambaux? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-Atomic&NuclearPhysics? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? An Introduction to General Relativity and Cosmology Cambridge University Press? Jerzy Plebanski? Andrzej Krasinski? CambridgeUniversityPress? JerzyPlebanski? AndrzejKrasinski? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Astronomy-Cosmology? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Relativity? Subjects-Science-General Subjects-Science-Physics-Cosmology? Subjects-Science-Physics-General? Subjects-Science-Physics-Relativity? Subjects-Science-Astronomy-Cosmology? Group Theory in Physics An Introduction (Techniques of Physics) Academic Pr? J. F. Cornwell? AcademicPr? J.F.Cornwell? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-GroupTheory? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalPhysics? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-General Subjects-Science-Mathematics-PureMathematics-GroupTheory? Subjects-Science-Mathematics-MathematicalPhysics? Subjects-Science-Physics-General? Cliffsap Chemistry (Cliffs Advanced Placement) Cliffs Notes? Gary S. Thorpe? CliffsNotes? GaryS.Thorpe? ユーズドブック(洋書)-Children sBooks? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Reference? ユーズドブック(洋書)-Science? ユーズドブック(洋書)-Teens? Subjects-Children sBooks-Science,Nature&HowItWorks-Chemistry? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Reference-Education-General? Subjects-Reference-Education-TestGuides-College&University-AdvancedPlacement? Subjects-Reference-Education-TestGuides-College&University-CollegeEntrance? Subjects-Reference-TestPrepCentral-General? Subjects-Science-Chemistry-General&Reference? Subjects-Science-General Subjects-Teens-Reference-College&UniversityBound-TestGuides-AdvancedPlacement? Subjects-Teens-Reference-College&UniversityBound-TestGuides-CollegeEntrance? Flow-induced Vibrations An Engineering Guide Dover Pubns? Eduard Naudascher? Donald Rockwell? DoverPubns? EduardNaudascher? DonaldRockwell? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Technology-General&Reference Introduction to Hydrodynamic Stability (Cambridge Texts in Applied Mathematics, 32) Cambridge University Press? P. G. Drazin? CambridgeUniversityPress? P.G.Drazin? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-General? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Waves&WaveMechanics? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Science-EarthSciences-General? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Applied-General? Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Physics-General? Subjects-Science-Physics-Mechanics? Subjects-Science-Physics-Waves&WaveMechanics? Subjects-Science-Physics-FluidMechanics? International Building Code 2006 (International Building Code) Intl Code Council? IntlCodeCouncil? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? ユーズドブック(洋書)-Law? ユーズドブック(洋書)-Nonfiction? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Engineering-Civil-Construction-General? Subjects-Engineering-Civil-Construction-BuildingCodes&Laws? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Home&Garden-HomeDesign-Buildings&Construction? Subjects-Law-Business-Construction? Subjects-Nonfiction-Law-Business-Construction? Subjects-Professional&Technical-Engineering-Civil-Construction-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingCodes&Laws? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Law-Business-Construction? Subjects-Science-General High Speed Signal Propagation Advanced Black Magic Prentice Hall? Howard W. Johnson? Martin Graham? PrenticeHall? HowardW.Johnson? MartinGraham? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Engineering-Electrical&Electronics-Circuits? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Subjects-Science-Physics-Applied? The Physics of the Standard Model and Beyond World Scientific Pub Co Inc? T. Morii? C. S. Lim? S. N. Mukherjee? WorldScientificPubCoInc? T.Morii? C.S.Lim? S.N.Mukherjee? ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-NuclearPhysics? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-NuclearPhysics-General? Subjects-Science-Physics-NuclearPhysics-ParticlePhysics? Under a Green Sky Global Warming, the Mass Extinctions of the Past, And What They Can Tell Us About Our Future Collins? Peter D. Ward? Collins? PeterD.Ward? ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Professional&Technical? ユーズドブック(洋書)-Science? Subjects-Outdoors&Nature-Environment-Weather? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Meteorology-General? Subjects-Science-EarthSciences-Weather? Subjects-Science-Evolution-Paleontology-General? Subjects-Science-General Subjects-Science-General 洋書
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Designing With Speech Processing Chips Academic Pr? Ricardo Jimenez? AcademicPr? RicardoJimenez? ジャンル別? Subjects-Computers&Internet-Software-Business-SpeechProcessing? Subjects-Computers&Internet-Software-VoiceRecognition? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitDesign? Subjects-Computers&Internet-ComputerScience-Circuitry-CircuitComponents? Subjects-Computers&Internet-ComputerScience-Circuitry-Communication&SignalProcessing? Subjects-Computers&Internet-ComputerScience-SystemsAnalysis&Design? Subjects-Computers&Internet-DigitalMusic&ComputerAudio-General? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Subjects-Engineering-Electrical&Electronics-Circuits-Design? Subjects-Engineering-Electrical&Electronics-Electronics-AudioTechnology&Engineering? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits-Design? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-AudioTechnology&Engineering? Siting Energy Facilities Academic Pr? Ralph L. Keeney? AcademicPr? RalphL.Keeney? ジャンル別? Substores-UnknownASINs-5? Subjects-Engineering-Energy-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Energy-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Energy Conservation in the Process Industries (Energy Science and Engineering) Academic Pr? W. F. Kenney? AcademicPr? W.F.Kenney? ジャンル別? Subjects-Engineering-Energy-EnergySaving? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Energy-EnergySaving? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Substores-UnknownASINs-jp-unknown1? Communication Theory Eastern and Western Perspectives (Human Communication Research Series) Academic Pr? D. Lawrence Kincaid? AcademicPr? D.LawrenceKincaid? ジャンル別? Substores-UnknownASINs-5? Subjects-Business&Investing-BusinessLife-Communication-General? Subjects-History-HistoricalStudy-HistoryofIdeas? Subjects-Nonfiction-SocialSciences-Communication-Research? Subjects-Nonfiction-SocialSciences-Linguistics-General? Subjects-Reference-Education-Questions&Answers? Subjects-Reference-General? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Designing Quiet Structures A Sound Power Minimization Approach Academic Pr? Gary H. Koopmann? John B. Fahnline? AcademicPr? GaryH.Koopmann? JohnB.Fahnline? ジャンル別? Subjects-Engineering-SpecialTopics-Acoustics? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-SpecialTopics-Acoustics? Subjects-Professional&Technical-ProfessionalScience-Physics-Acoustics&Sound? Subjects-Science-General Subjects-Science-Physics-Acoustics&Sound? Subjects-Science-Physics-Dynamics-General? Subjects-Science-Technology-General&Reference Curves and Surfaces Academic Pr? Pierre-Jean Laurent? Alain Le Mehaute? Larry L. Schumaker? AcademicPr? Pierre-JeanLaurent? AlainLeMehaute? LarryL.Schumaker? ジャンル別? Subjects-Computers&Internet-GraphicDesign-General? Subjects-Computers&Internet-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Geometry&Topology-Topology? Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-Geometry&Topology? Subjects-Science-Technology-General&Reference Optimization Techniques With Applications to Aerospace Systems (Mathematics in Science Engineering) Academic Pr? G. Leitmann? AcademicPr? G.Leitmann? ジャンル別? Substores-UnknownASINs-5? Subjects-Science-General Subjects-Science-Technology-General&Reference Handbook of Rapid Prototyping and Layered Manufacturing Academic Pr? Leu? AcademicPr? Leu? ジャンル別? Subjects-Engineering-ComputerTechnology-CAD&CAM? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-ComputerTechnology-CAD&CAM? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference On Time Technology Implementation How to Achieve Implementation Success With Limited Time and Resources Academic Pr? Bennet P. Lientz? Kathryn P. Rea? AcademicPr? BennetP.Lientz? KathrynP.Rea? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-MIS? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-Databases-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-SocialSciences-Library&InformationScience-LibraryManagement? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-InformationManagement? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-PhilosophyofTechnology? Plasma Etching An Introduction (Plasma Materials Interactions) Academic Pr? Dennis M. Manos? Daniel L. Flamm? AcademicPr? DennisM.Manos? DanielL.Flamm? ジャンル別? Subjects-Engineering-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Engineering-Electrical&Electronics-Circuits-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialTechnology? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Electrical&Electronics-Circuits-General? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Mechanical Engineer's Handbook (Academic Press Series in Engineering) Academic Pr? Dan B. Marghitu? AcademicPr? DanB.Marghitu? ジャンル別? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Reference? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Technology-General&Reference Computer Representations and Models in Music Academic Pr? Alan Marsden? Anthony Pople? AcademicPr? AlanMarsden? AnthonyPople? ジャンル別? Substores-UnknownASINs-5? Subjects-Computers&Internet? Subjects-Entertainment-Music-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Atomic, Molecular, and Optical Physics Electromagnetic Radiation (Experimental Methods in the Physical Sciences) Academic Pr? F. B. Dunning? Randall G. Hulet? AcademicPr? F.B.Dunning? RandallG.Hulet? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Physics-QuantumTheory? Subjects-Professional&Technical-ProfessionalScience-Physics-SolidStatePhysics? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Physics-MolecularPhysics? Subjects-Science-Physics-Optics? Subjects-Science-Physics-QuantumTheory? Subjects-Science-Physics-Solid-StatePhysics-General? Subjects-Science-Physics-NuclearPhysics-Atomic&NuclearPhysics? Subjects-Science-Physics-NuclearPhysics-AtomicPhysics? Subjects-Science-Technology-General&Reference Cumulative Subject Index Volumes 1-32 (Experimental Methods in the Physical Sciences) Academic Pr? Marc de Graef? AcademicPr? MarcdeGraef? ジャンル別? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-MaterialsScience-General? Subjects-Nonfiction-SocialSciences-Research? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-Education-Research? Subjects-Science-Education-Experiments&Projects? Subjects-Science-Experiments,Instruments&Measurement-Methodology&Statistics? Subjects-Science-General Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Advances in Surface Science (Experimental Methods in the Physical Sciences) Academic Pr? Thomas Lucatorto? Robert Celotta? Hari Singh Nalwa? AcademicPr? ThomasLucatorto? RobertCelotta? HariSinghNalwa? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Materials-Properties-Physical? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-Materials-Properties-Physical? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-SolidStatePhysics? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-Chemistry-SurfaceChemistry? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Physics-General? Subjects-Science-Physics-Solid-StatePhysics-General? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Modern Acoustical Techniques for the Measurement of Mechanical Properties (Experimental Methods in the Physical Sciences) Academic Pr? Moises Levy? Henry E. Bass? Richard Stern? AcademicPr? MoisesLevy? HenryE.Bass? RichardStern? ジャンル別? Subjects-Engineering-SpecialTopics-Acoustics? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-SpecialTopics-Acoustics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-Physics-Nanostructures? Subjects-Science-Education-Research? Subjects-Science-Experiments,Instruments&Measurement-Methodology&Statistics? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Physics-General? Subjects-Science-Physics-Nanostructures? Subjects-Science-Technology-General&Reference Pathogenesis of Infectious Disease Academic Pr? Cedric A. Mims? AcademicPr? CedricA.Mims? ジャンル別? ジャンル別-mirror-test-test-subtier-Communicable? Subjects-Medicine-BasicScience-Microbiology? Subjects-Medicine-Diseases-Communicable? Subjects-Medicine-Specialties-Pathology-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-InfectiousDisease-CommunicableDiseases? Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-BasicScience-Microbiology? Subjects-Science-Medicine-Diseases-Communicable? Subjects-Science-Medicine-Specialties-Pathology-General? Assessing Science Understanding A Human Constructivist View (Educational Psychology) Academic Pr? James H. Wandersee? Joseph D. Novak? Joel J. Mintzes? AcademicPr? JamesH.Wandersee? JosephD.Novak? JoelJ.Mintzes? ジャンル別? Subjects-Children sBooks-Science,Nature&HowItWorks? Subjects-Health,Mind&Body-Psychology&Counseling-Education&Training? Subjects-Health,Mind&Body-Psychology&Counseling-General? Subjects-Health,Mind&Body-MentalHealth-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-Education-Policy? Subjects-Nonfiction-Education-EducationTheory-EducationalPsychology? Subjects-Nonfiction-Education-InstructionMethod-General? Subjects-Nonfiction-Education-SecondarySchool-Science? Subjects-Professional&Technical-Education-Theory-EducationalPsychology? Subjects-Professional&Technical-Education-Theory-EducationalReform-Policy&Reform? Subjects-Professional&Technical-Education-SpecificSkills-Science&Technology? Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Principles of Environmental Physics Academic Pr? John Monteith? Mike Unsworth? AcademicPr? JohnMonteith? MikeUnsworth? ジャンル別? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference Annual Reports on Nmr Spectroscopy (Annual Reports on Nmr Spectroscopy) Academic Pr? Graham A. Webb? Isao Ando? AcademicPr? GrahamA.Webb? IsaoAndo? ジャンル別? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Analytic? Subjects-Professional&Technical-ProfessionalScience-Physics-Electromagnetism? Subjects-Professional&Technical-ProfessionalScience-Physics-Statics? Subjects-Science-Chemistry-Analytic? Subjects-Science-Chemistry-Spectroscopy-General? Subjects-Science-Chemistry-Spectroscopy-NMR? Subjects-Science-General Subjects-Science-Physics-Statics? Subjects-Science-Physics-Electromagnetism-General? Subjects-Science-Physics-Spectroscopy-Nuclear? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? Annual Reports on Nmr Spectroscopy (Annual Reports on Nmr Spectroscopy) Academic Pr? Graham A. Webb? AcademicPr? GrahamA.Webb? ジャンル別? Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Analytic? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Professional&Technical-ProfessionalScience-Physics-Statics? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Reference-Almanacs&Yearbooks? Subjects-Science-Chemistry-Analytic? Subjects-Science-Chemistry-General&Reference? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-Chemistry-Spectroscopy-General? Subjects-Science-EarthSciences-General? Subjects-Science-General Subjects-Science-Physics-Statics? Subjects-Science-Technology-General&Reference Dictionary of Acoustics Academic Pr? Christopher L. Morfey? AcademicPr? ChristopherL.Morfey? ジャンル別? Subjects-Engineering-SpecialTopics-Acoustics? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-SpecialTopics-Acoustics? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-ProfessionalScience-Physics-Acoustics&Sound? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Science-General Subjects-Science-Physics-Acoustics&Sound? Subjects-Science-Physics-General? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Electronics and Communications for Scientists and Engineers Academic Pr? Martin Plonus? AcademicPr? MartinPlonus? ジャンル別? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Engineering-Electrical&Electronics-Optics-FiberOptics? Subjects-Engineering-General? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-FiberOptics? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Microbial Technology Fermentation Technology Academic Pr? Henry J. Peppler? AcademicPr? HenryJ.Peppler? ジャンル別? Substores-UnknownASINs-5? Subjects-Science-General Subjects-Science-Technology-General&Reference Environmental Pollution Science Academic Pr? Ian L. Pepper? Charles P. Gerba? Mark L. Brusseau? AcademicPr? IanL.Pepper? CharlesP.Gerba? MarkL.Brusseau? ジャンル別? Subjects-Engineering-Civil-Environmental-General Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-General Subjects-Science-Technology-General&Reference Career Renewal Tools for Scientists and Technical Professionals Academic Pr? Stephen Rosen? Celia Paul? AcademicPr? StephenRosen? CeliaPaul? ジャンル別? Subjects-Business&Investing-Careers-General? Subjects-Business&Investing-Careers-Guides? Subjects-Business&Investing-Industries&Professions-HumanResources&PersonnelManagement? Subjects-Engineering-General? Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-HumanResources&PersonnelManagement? Subjects-Reference-General? Subjects-Reference-Careers-General? Subjects-Reference-Careers-Guides? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Scattering Scattering and Inverse Scattering in Pure and Applied Science Academic Pr? Pierre Celestin Sabatier? E. R. Pike? Roy Pike? AcademicPr? PierreCelestinSabatier? E.R.Pike? RoyPike? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-DifferentialEquations? Subjects-Professional&Technical-ProfessionalScience-Mathematics-MathematicalPhysics? Subjects-Professional&Technical-ProfessionalScience-Physics-General? Subjects-Science-Chemistry-Industrial&Technical? Subjects-Science-General Subjects-Science-Mathematics-Applied-DifferentialEquations? Subjects-Science-Mathematics-MathematicalPhysics? Subjects-Science-Physics-General? Subjects-Science-Technology-General&Reference A Guide to Risc Microprocessors Academic Pr? Michael Slater? AcademicPr? MichaelSlater? ジャンル別? Subjects-Computers&Internet-Software-Design&Development-SoftwareDesign? Subjects-Computers&Internet-ComputerScience-SystemsAnalysis&Design? Subjects-Computers&Internet-Hardware-PCs? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-General? Subjects-Computers&Internet-Hardware-Microprocessors&SystemDesign-MicroprocessorDesign? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Artificial Intelligence in Engineering Design Design Representation and Models of Routine Design Academic Pr? Christopher Tong? Duvvuru Sriram? AcademicPr? ChristopherTong? DuvvuruSriram? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Engineering-Design? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Design? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Artificial Intelligence in Engineering Design Models of Innovative Design, Reasoning About Physical Systems, and Reasoning About Geometry Academic Pr? Christopher Tong? Duvvuru Sriram? AcademicPr? ChristopherTong? DuvvuruSriram? ジャンル別? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Engineering-Design? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Design? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-Technology-General&Reference Artificial Intelligence in Engineering Design Knowledge Acquisition, Commercial Systems, and Integrated Environments (Artificial Intelligence in Engineering Design) Academic Pr? Christopher Tong? Duvvuru Sriram? AcademicPr? ChristopherTong? DuvvuruSriram? ジャンル別? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-Business&Culture-Manager sGuidestoComputing? Subjects-Engineering-Design? Subjects-Engineering-General? Subjects-Engineering-Mechanical-General? Subjects-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Telecommunications? Subjects-Professional&Technical-Engineering-Design? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-General&Reference Enabling Technologies for Cultured Neural Networks Academic Pr? David A. Stenger? Thomas M. McKenna? AcademicPr? DavidA.Stenger? ThomasM.McKenna? ジャンル別? Substores-UnknownASINs-5? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-NeuralNetworks? Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-InternalMedicine-Neurology-Neuroscience? Subjects-Outdoors&Nature-Ecology-Animals-Mammals? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Science-General Subjects-Science-Nature&Ecology-Animals-Mammals? Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-BiologicalSciences-Zoology-Mammals? Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-InternalMedicine-Neurology-Neuroscience? Vacuum Technology, Thin Films, and Sputtering An Introduction Academic Pr? R. V. Stuart? AcademicPr? R.V.Stuart? ジャンル別? Substores-UnknownASINs-5? Subjects-Engineering-Aerospace-AdvancedMechanics? Subjects-Engineering-Civil-Mechanics? Subjects-Engineering-Mechanical-General? Subjects-Professional&Technical-Engineering-Civil-Mechanics? Subjects-Professional&Technical-Engineering-Aerospace-AdvancedMechanics? Subjects-Professional&Technical-Engineering-Mechanical-General? Subjects-Science-Physics-Applied? Subjects-Science-Technology-General&Reference Spectrometric Techniques Academic Press Inc.,U.S.? George A. Vanasse? AcademicPressInc.,U.S.? GeorgeA.Vanasse? ジャンル別? Subjects-Science-Technology-General&Reference Sequence Analysis in Molecular Biology Treasure Trove or Trivial Pursuit Academic Pr? Gunnar Von Heijne? AcademicPr? GunnarVonHeijne? ジャンル別? Substores-UnknownASINs-5? Subjects-Medicine-BasicScience-Physiology? Subjects-Professional&Technical-Medical-BasicSciences-Cytology? Subjects-Science-Evolution-MolecularBiology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-BiologicalSciences-Biology-CellBiology? Subjects-Science-Medicine-BasicScience-Physiology? Dictionary of Information Science and Technology Academic Pr? Carolyn Watters? AcademicPr? CarolynWatters? ジャンル別? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-Programming-Introductory&Beginning-ComputerDictionaries? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-SocialSciences-Library&InformationScience-InformationScience? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Computer? Subjects-Reference-Dictionaries&Thesauruses-Science? Subjects-Reference-Dictionaries&Thesauruses-Computer? Subjects-Science-General Subjects-Science-Technology-General&Reference Neural Networks for Perception Human and Machine Perception (Neural Networks for Perception) Academic Pr? Harry Wechsler? AcademicPr? HarryWechsler? ジャンル別? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-NeuralNetworks? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Computers&Internet-General? Subjects-Health,Mind&Body-Psychology&Counseling-Cognitive? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BehavioralSciences-General? Neural Networks for Perception Computation, Learning, and Architecture (Neural Networks for Perception) Academic Pr? Harry Wechsler? AcademicPr? HarryWechsler? ジャンル別? Subjects-Computers&Internet-CertificationCentral-Subjects-Networking? Subjects-Computers&Internet-CertificationCentral-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-NeuralNetworks? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-ComputerMathematics? Subjects-Computers&Internet-Hardware-SystemArchitecture-ComputerDesign? Subjects-Science-General Subjects-Science-Technology-General&Reference Generatingfunctionology Academic Press Inc.,U.S.? Herbert S. Wilf? AcademicPressInc.,U.S.? HerbertS.Wilf? ジャンル別? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-Calculus? Subjects-Science-Mathematics-MathematicalAnalysis? Subjects-Science-Mathematics-PureMathematics-Calculus? Subjects-Science-Technology-General&Reference Semiconductors and Semimetals Strained-Layer Superlattices Materials Science and Technology (Semiconductors and Semimetals) Academic Pr? Thomas P. Earsail? AcademicPr? ThomasP.Earsail? ジャンル別? Substores-UnknownASINs-5? Subjects-Professional&Technical-ProfessionalScience-Physics-Optics? Subjects-Science-General Subjects-Science-Physics-Optics? Subjects-Science-Technology-General&Reference Semiconducting Chalcogenide Glass III Applications Of Chalcogenide Glasses (Semiconductors and Semimetals) Elsevier Science Ltd? Robert Fairman? Boris Uskov? ElsevierScienceLtd? RobertFairman? BorisUskov? ジャンル別? Subjects-Engineering-Chemical-Materials? Subjects-Engineering-Electrical&Electronics-Optics-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Engineering-MaterialsScience-General? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Optics-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-General? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Physical&Theoretical? Subjects-Science-Chemistry-Physical&Theoretical-General? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-Specialties-Pathology-ClinicalChemistry? A Software Engineering Approach to Labview (Conway, Jon. Natural Instruments Virtual Instrumentation Series.) Prentice Hall? Jon Conway? Steve Watts? PrenticeHall? JonConway? SteveWatts? ジャンル別? Subjects-Business&Investing-Careers-VocationalGuidance? Subjects-Computers&Internet-Software-Design&Development-SoftwareDevelopment? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering? Subjects-Computers&Internet-ComputerScience-Modeling&Simulation? Subjects-Computers&Internet-Programming-General? Subjects-Engineering-Electrical&Electronics-General? Subjects-Nonfiction-Education-Counseling-VocationalGuidance? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Subjects-Professional&Technical-Education-Counseling-VocationalGuidance? Subjects-Reference-Careers-VocationalGuidance? Subjects-Science-Experiments,Instruments&Measurement-ScientificInstruments? Subjects-Science-General Subjects-Science-Technology-General&Reference Improving Your Human-Computer Interface A Practical Technique (Bcs Practitioner) Prentice Hall? Andrew Monk? Peter Wright? Jeanne Haber? Lora Davenport? 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Code Geass 12. The Messenger from Kyoto Lelouch, a young outcast prince of Britannia possesses two great powers. One of them is the absolute ability to compel any person to do whatever he commands. The other is the Black Knights his military force assembled with the intent of destroying the Britannian Empire ruled by his father. Veiling his true identity behind the mask and the code name Zero, Lelouch has made his move to avenge his mother s murder and to create a world in which his younger sister Nunnally can find happiness. What would be the final outcome of these actions? At this point, no one can predict. Minister The Japan Liberation Front was nearly wiped out by your Narita operation, viceroy. Now, we re hunting down the survivors, one by one. Cornelia Are you being sarcastic? We re barely pulling our forces back together after that fiasco. Minister No, I, I didn t mean to... Guilford The Occupation Government is responsible for this. They ve done nothing about Area 11 s subways and mining railways. In the ghettoes, they falsify the registries and property deeds as the rebellion spreads unchallenged. Minister Ah, the subway tunnels stretch over the whole country. We can t just fill them all in. We don t have the budget. Guilford The terrorists are using them as their strike bases and escape routes. Minister B,,, But, Prince Clovis instructed us. Ah, he said forcing them would fuel the rebellion giving the Chinese Federation an excuse to attack. Cornelia They ve already got their excuse. Zero is growing stronger and bolder everyday. Darlton Vice-Minister. Internal Affairs has appointed special group of the Elevens to self-govern this area, isn t that right? A group who are called the NAC. Minister Huh? Darlton When we stormed Narita, we looked for the evidence of the NAC s conspiracies. But it was buried in the landslide. Still our suspicions remain high. If we suppress them now... Cornelia Hmm, a group of blue-bloods and plutocrats. Relics of their dismal past. Minister Oh, wait! please! These are just rumors. There s no evidence of that at all. If you suppress them, then the Eleven s economy will certainly collapse. That means no tax revenue to send to the homeland. Also, it s a prime directive of the empire that Numbers should take care of their own kind. Cornelia And what have you done to find the Black Knights? Minister We analyzed the shield machine they left showing Zero was behind the Narita operation. But that s all we ve got. You can t squeeze information out of corpses. Cornelia So you can t catch Zero and you don t want us to hit Kyoto. Do you know the word incompetent, minister? It s for people who can t get results. Kirihara So, the Britannian viceroy has gone this far already. Man With the Liberation Front smashed, the last embers of Japan have died away. Man No, he may be on the run, but Tohdoh is still strong, still fighting. Man Even if that so, I heard he lost his custom Burais. So, there s no hope. Kaguya There is hope. Man Mm? Man The Black Knights? You ve been infatuated with Zero since he rescued Suzaku Kururugi. We even sent him the Guren Mk-II. Teacher And after the defeat at Trafalgar, Elisabeth the third found herself surrounded by revolutionaries in Edinburgh. Shirley Oh, father... Teacher However with the help of Lord Britannia, she s fled to the American colonies now known as our homeland Britannia. Shirley Hmm... Um... H m... Ha... Milly Huh? OK. What s got you so worried. Constipated? Your monthly? Shirley Huh? That s not it. Milly Huh... You re lonely cause Lelouch is gone, aren t you? Shirley Wha... It s more like Kallen is absent the same day he is... again. Milly Oh, so carefree. While the rest of the world grapples with what happened at Narita. Suzaku s been out for two days because of that, too. Shirley I know that! But Lelou and Kallen gone on the same day together. That s serious. Milly He he he! I envy you, Shirley. That s what I love about you. Nina Huh? Shirley Don t make fun of me! Arthur Meow. Milly Then just tell him already, three little words "I like you!". Shirley Uh... Uh... I couldn t. I just couldn t. I mean what if... Milly What if he rejects me, it can ruin our great friendship. Ha ha ha ha ha ha ha ha ha ha! Shirley You don t have to laugh that hard, you know? Milly It s comfortable isn t it? This place now. The way we are together. Shirley That s true. Milly Still we should prepare ourselves a bit. The fact is nothing stays the same forever, you know. Shirley Uh... Milly Oh, forget it. Please don t take me too seriously. If it s bothering you why not you just ask him the next chance you get? So, how do you feel about it on your side? Shirley Huh? Wha... Lelou?! I thought you were absent! Lelouch Nunnally had a little fever this morning and Sayoko was busy. So, I stayed home to help. Shirley Oh really, you don t say. So, is Nunna feeling better now? Lelouch A bit. Madam president, those papers? Milly All right. Make sure you organize all of them by year and class, OK? Lelouch Yeah, I will. You have a talent for ordering people around. Milly He he. And you are a great subordinate. Lelouch Subordinate? Huh, I guess that s what I am. Shirley Oh, madam president! You nearly gave me a heart attack doing that! Huh?! Oh, where is my tickets? HUH!! Lelou! Lelouch What is it? Shirley Ah... Um... Is my dad s letter mixed up with that paperwork? Lelouch Huh? Oh, sorry. Huh? What s wrong? Shirley Ah! Lelou! Lelouch Shirley? C.C. Ah? Stop being so suspicious. That s hardly the case. To me, he is nothing more than a ... Shirley Ah huh huh huh hu... I did it! I actually really did it! So, now what happens? He ll come, right? I mean he didn t say no. Then again... N-n, he is just coming with me to a little concert. So, it s not big thing but still it s a chance. Huh... Thank you, father. Ah? Ohgi Kyoto praised us for using the Guren Mk-II so well. I thought that was encouraging. Kallen But there was the white armor. Tamaki Don t sweat it. It was a tie, right? A tie! Ha-ha-ha-ha-ha! A-ha-ha-ha-ha! Lelouch Why would Shirley just out of the blue? Shirley My dad works where really long away from here. But he likes to send me great staff like this to keep my spirits up, you know? So, I was just wondering... Ohgi Here. Lelouch Hmm? What s this? Ohgi A love letter. Lelouch Oh? From you? Tamaki A-ha-ha-ha-ha! And they say you have no sense of humor. A-ha-ha-ha-ha-ha! Kallen You laugh too much. Ohgi It s an official letter form Kyoto. They urgently request a meeting. Lelouch Is this really such a big deal? Kallen A big deal?! It s Kyoto! Ohgi If they accept us it means funding and support. It could solve our financial crisis. Lelouch Crisis?! Ohgi Ugh...! Lelouch There shouldn t be any problem if you are following the budget I laid out. Ohgi Oh, well... Tamaki Hey! It s not my fault! We re turning into a big organization now! That means new expenses, you know! Kallen Like French dinners for the new recruits so you can show off? Tamaki Hey, you?! Kallen I know where you ve been taking them, big spender? Tamaki Uh-ugh?! You know about it?! Lelouch Huh... We ll put Ohgi in charge of the treasury for now. Tamaki Hold it right there! I m the one that s in charge of the cash! That s my job! Lelouch If you want me to trust you then show me some results. Tamaki Did you actually just say trust a guy who hides his face from his own partners?! Sugiyama Huh? Tamaki How about it Zero, Huh?! Ohgi Hold on... That s a... Kallen Zero is not the problem here. Who cares who he is? He had the skill to outwit Cornelia, didn t he? That s why he is the leader of the Black Knights. Do you really need to know more? Tamaki Gee...! Nunnally Nina? Is that you? If you are not feeling well, then... Nina Oh no. It s nothing. Don t worry about it. Tamaki Huh... So, what do we do? Ohgi I don t know. Minami We were in Naoto s unit. Sugiyama I don t mind about his kid sister Kallen but... Tamaki You were next in line to be leader. Ohgi No one said that at Narita. Inoue Cause Zero practically forced us. Yoshida We are the senior commanders and he keeps secrets from us. Ohgi Huh... Lelouch I ve narrowed it down to twelve possibilities. Now let s see which bets pay off. For that I ll have to meet them face to face... (knock-knock) Lelouch Hm? Who is it? Kallen It s me. Um... I m sorry if I was out of line when I spoke up back there. Lelouch Kallen, tell me. Do you wanna know my identity as well? Kallen Hmm... That girl knows, doesn t she...? Hmm... No, sorry to bother you. Nunnally Lelouch? Lelouch Huh...! Huh... Looks like your fever s gone? Nunnally Maybe I was just a little moody. Lelouch Moody? Nunnally Huh... It just seems to me lately that you ve become a little distant like you have other things weighing on your mind. Lelouch Huh...! Nunnally Huh. Perhaps my body just did this on its own to get your attention. Huh. Lelouch You re wrong. I haven t changed. No matter what, I ll always be at your side, Nunnally. Nunnally So then, can I be a little selfish now? Please hold my hand just a little bit longer. If I fall asleep alone, I m afraid I ll have that dream again. C.C. You are serious? You are asking me for a favor? Lelouch Yes, I got the idea from something that you said. No matter what Kyoto s intentions are I want their power. C.C. Is that what you truly wish for? If it s at the very core of your reason for living then I ll try to help you. Lelouch Then do it. C.C., I need you. C.C. Hmm, I understand. By the way, you forgot something. Lelouch Huh?! I didn t forget! I don t know when I ll be back tonight so I was planning to call her and cancel. C.C. Stick to your contract. Huh? (Pi-Pi-Pi-Pi-Pi) Lelouch It s me. Oh good timing, I wanted to call. You see... Shirley Um... Listen, Lelou? Lelouch Huh? Shirley I know I made a date with you but I may be late. Lelouch Huh... Shirley Sorry, but anyway, I m sure it ll be fine, really. Hmm, but I promise you that I ll be there. Man Please bring your command staff along as for my master s instruction, understood? Lelouch They are patrolling the perimeter in case of any unpleasant contingencies. I ll call them soon. However before I do... Britannian Army Severely damaged corpses should be brought to tent 2. Id [your ?] personal items. Bring remains with identifiable faces to tent 1. Note locations and times. Britannian Army Medical team 2 will arrive [and not tech support ?]. Transport personnel, report to tent 2. Suzaku Was it really her? Did I really see her there? And then... Just forget it. She doesn t show up in any of the data. Lloyd Dug enough bodies out of the landslide, yet? Suzaku Hmm... I d like to continue recovery operation if that s possible. Lloyd Be my guest till it ll out of your system. Considering Princess Cornelia is pleasure to indulge you. Suzaku Hmm... Ah, Lloyd, Zero and the Black Knights what are they trying to do? What do they hope to achieve by sacrificing all these lives? Lloyd They are knights for justice, haven t you heard? Suzaku Is this justice? Lloyd Hey hey, I hope you are not going to start spouting some embarrassing theory about the nature of justice. We are soldiers, after all. Suzaku Huh. Hmm? Cecile Oh Suzaku, I replaced the energy filler for you. Suzaku Ah... OK. Lloyd Cecile. Cecile I checked the units including the purebloods. Lloyd And I was right, wasn t I? Cecile Yes, a radiant surge. Lloyd Rakshata. I never thought she d work with our enemies. Cecile Plus their pilot was extremely skilled. Suzaku s mental status is so unstable now. If we have to fight that Knightmare again... Lloyd You don t think it could win? Against my dear Lancelot? Tamaki This is taking too long. When do we get there? Kallen Ah, could you chill out? You are embarrassing. Tamaki Hm. What the hell? Kallen We are going up? Man Sorry for the inconvenience. The master is waiting for you. Sugiyama Huh...! Tamaki Wow...! Ohgi This is... the Fuji mines? Tamaki That is not possible. There s no way we could be here. Kallen It has to be Mt.Fuji! There is only one mountain like this. Tamaki That means the Sakuradite is right below us? The damn treasure that caused this whole war. You know, what they do to intruders here? Execute them! Ohgi The power of which is all the way up to here? Kyoto group is amazing. Kirihara It s repulsive. Mount Fuji, a sacred mountain once known for its clear water and quiet beauty. Now it is bent to the empire s will, a place of hideous violation. Our reflection of what Japan has become. It [plings ?] me so. I apologize for not showing my face. But, Zero, your face is hidden as well. Unfortunately, I cannot allow this. To trust you, I must know who you are. Therefore you will show me your face. Kallen Please wait! Zero has given us power and victory. That should be... Kirihara Silence! Now which of you is Ohgi? Ohgi Huh...! That s me. Kirihara You will remove Zero s mask. Kallen Ohgi! Ohgi I m sorry Zero, but we need a reason to put our faith in you, too. So help us to put our trust in you. Tamaki Huh?! A woman? Ohgi It can t be! Kallen It s not! This isn t Zero. I saw her before. She was with Zero after Narita. Kirihara You there, girl, is this true? C.C. It is. Kirihara So you are not Japanese? C.C. Correct, clan chief of Kyoto, Taizo Kirihara. Man Huh!? Anyone who can identify him must die. Man Especially one who is not Japanese! Tamaki Hey, hold on! I m not part of this! Lelouch You are soft and your methods and thinking are out dated. That is why you ll never win! Kallen Zero? Man When did you...? Huh! Man Hold on! He can fire at us with that remote. Everyone, stay back! Don t make a move! Lelouch Taizo Kirihara, founder of Kirihara Industry which has monopoly on Sakuradite mine, formerly a key backer of the Kururugi regime. However, when Japan fell, you dodged the tribunals by collaborating with the colonial rulers. Commonly known as Kirihara the traitor. In reality, you are one of the leaders of the Six Houses Of Kyoto, who support resistance groups throughout Japan, a double agent. How cliche. Man Show some respect, you swine! Kirihara Stop! Lelouch N-Hu-Hu-Hu... It s as you guessed though, I am not Japanese! Tamaki Is he serious? No wonder he never showed his face. Kirihara If you are not Japanese, why do you fight for Japan? What is it that you want? Lelouch The destruction of Britannia. Kirihara And so, do you believe that this is possible, that you can do it? Lelouch I can, because I must. I have reasons which compel me execrably. I m glad I m dealing with you. Kirihara You... Lelouch It s been a long time, Lord Kirihara. Kirihara Is it really you? It s eight years since I finally received you as a hostage. Lelouch Yes. And I appreciate you taking care of me then. Kirihara If I hadn t come tonight, were you planning to take our messengers as hostages? Lelouch Not at all. I came to ask for your help. That s all I m seeking from you. Kirihara So the flower planted eight years ago has finally bloomed. Tamaki I can t see him! Kirihara Ohgi! Ohgi Yes! Kirihara This man is a true model enemy of Britannia. His face must remain hidden for vital reasons. I urge you to follow Zero. And I guarantee that if you do, we will assist you generously with intelligence and strategic support. Ohgi We thank you. Lelouch I am grateful, Lord Kirihara. Kirihara Are you embarking on the path of blood? Lelouch Indeed, if that is my destiny. Villetta Yes, the spelling of Fenette matches this one. I m afraid this is him. I m sorry you had to learn about it like this. Shirley s mother It s all right... Man Can you please identify the body? Lelouch Of course, it s too late already. Anyway, things are finally moving forward. Now the Black Knights will operate as I envisioned. Lelouch I m sorry I was late. I thought you d already be back home by now. Anyway, never mind that. Come on, let s go some place to get out of the rain now. Shirley Lelou, tell me. Zero, he fights for the weak, doesn t he? Lelouch What? Yeah, well, that s what he says. Shirley Then, then... why did he kill my father? You know my father. He was so gentle. He never ever hurt me. He didn t do anything wrong. But he was buried alive. He couldn t... breath... why... why did my father have to die? I... don t want this. No... Please, Lelou... help me. Yes, I understand my actions have consequences. I know that now. So why? It d be so easy to vanish from the stage, just stop being Zero. If I can keep Kirihara quiet, I can go back to be merely Lelouch Lamperouge. But, even so!
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メニュー トップページ プラグイン紹介 メニュー メニュー2 In "Tom Strong" lernen wir Timmy kennen, der einen Umschlag im Briefkasten findet, der ihm den Eintritt in die Welt der Strongmen of America gewährt. Und damit Timmy auch alles über seinen Helden erfährt, ist in diesem Umschlag die erste Ausgabe von Tom Strong enthalten. So erfährt er aus erster Hand alles über die Entstehung seines Helden. Dieser "Superman" nicht ganz unähnliche Charakter kommt nicht von einem anderen Stern, doch er genoß eine sehr ungewöhnliche Kindheit. Toms Vater ließ sich mit seiner Frau auf einer Insel nieder, die sich auf keiner Karte findet. Dort bekamen sie auch ihren Sohn, den der erfinderische Vater auf eine ganz besondere Weise großzog.[[ATL Transducer http //www.alokaprobe.com/Philips-ATL-HP-Compatible-Ultrasound-Probe]] Er steckte seinen Sohn in eine Druckkammer, in der Tom bei fünffacher Schwerkraft aufwuchs. Dadurch sollte er eine überdurchschnittliche Stärke und Widerstandsfähigkeit gewinnen. Nun passierte es aber, daß Toms Eltern sich bei der Wahl ihres Wohnortes verrechnet hatten. Sie ließen sich nämlich in einem Vulkan nieder, der plötzlich wieder aktiv wurde. Bei dem Ausbruch starben Toms Eltern. So wurde Tom nun von dem Roboterbutler Pneuman und den auf der Insel ansässigen Eingeborenen großgezogen. Tom entwickelte sich aber prächtig und verbesserte die von seinem Vater entwickelten technischen Geräte zur Vollkommenheit weiter. Irgendwann war er dann bereit, hinaus in die Welt zu ziehen. So machte er sich auf nach Milleniumcity, einer gewaltigen Metropole, deren größter Held er werden wollte. Dort findet Tom auch seinen ewigen Gegner. Außerdem wird Toms Familie nach und nach um ein paar Mitglieder größer. Mit der von Chris Sprouse hervorragend gezeichneten Serie schuf Moore einen klassischen Helden, der heldenhaft jeder Gefahr und jeder Herausforderung mit einem Lächeln entgegenschreitet. Dies macht diese Serie zu einer Hommage an die Superheldencomics der 40er bis 60er Jahre, in denen es nicht gerade um menschliche Probleme ging, sondern mehr darum, wie ein Supertyp mit supergroßen Herausforderungen fertig wird. Da wird es auch schwierig werden, die Neugierde auf immer neue Abenteuer dieses Supertypen beim Leser aufrechtzuerhalten."Top 10" ist eine einfach hervorragende Mischung aus Superheldencomic und Polizeiserie. Stellt euch eine Stadt vor, in der es nur von Superhelden wimmelt. Jeder Bürger von Neopolis scheint irgendeine Fähigkeit zu haben oder einen Gegenstand, der ihn zu etwas besonderen macht. Klar, daß eine solche Stadt an die Gesetzeshüter ganz besondere Anforderungen stellt. So begleiten wir Robyn Slinger an ihrem ersten Tag, als sie frisch von der Akademie ihren neuen Arbeitsplatz, das "Top10", erreicht. Wir lernen die anderen Polizisten und Detectives des Reviers kennen und den freundlichen Sergeant Caesar. Alle sind sie was Besonderes. Der eine ist ein Tiermensch, der andere ein Cowboy. Es gibt Polizisten, die mit allerhand Waffen ausgerüstet sind und andere, die ihre Form ändern können. Und genauso besonders sind die Verbrecher und die Bürger. Da wird jeder Ehekrach zur Herausforderung und jede Festnahme und Durchsuchung sollte gut geplant sein. Vor allem aber ist es ein Toter, der Robyn und ihren Partner Smax, ein wortkarges Kraftpaket, auf Trab hält. Der Tote war ein Drogenkurier und damit fällt das Interesse der Ermittler auf die Arbeitgeber des Toten. Es ist diese tolle Mischung aus zwei eigentlich total unterschiedlichen Genres, die "Top 10" diese besondere Note gibt. Außerdem scheint hier jeder Charakter sehr gut ausgearbeitet zu sein, so daß alle auftauchenden Helden, Bürger und Verbrecher sofort lebendig und interessant wirken. Da wird der Kriminalfall zur reinen Nebensache, denn bei einer so prall gefüllten Geschichte kann man sich einfach entspannt zurücklehnen und das Ganze einfach nur genießen. "Top 10" ist damit mein klarer Favorit dieser Sammlung. Es folgen noch drei Kurzgeschichten aus der Serie "Tomorrow Stories". Etwas besonders ist hierbei nur die erste kleine Krimigeschichte, deren Ablauf und Held wohl mit Absicht an klassische Verbrecherjäger wie "The Spirit" und "The Shadow" erinnert.[[Toshiba Ultrasonic Probe http //www.alokaprobe.com/Toshiba-Compatible-Ultrasound-Probe]] Das kurze Abenteuer des Heldenduos "The First American U.S. Angel", das an klassische Partnerschaften wie die von Batman und Robin erinnert, die es mit einem TV-Moderator zu tun bekommen, der in Anspielung auf die "Jerry Springer Show" seine Gäste gegeneinander aufhetzt, scheitert wie auch die letzte Geschichte um die mysteriöse Madame Cobweb an der etwas doch eigenwilligen, zwanghaft lustigen und aufgesetzt wirkenden Übersetzung von Oliver Naaz. Da wäre etwas weniger mehr gewesen. Abschließend kann ich dem Thomas Tilsner Verlag nur zu seiner Wahl beglückwünschen, daß er diese doch sehr ansprechenden Reihen auf deutsch herausbringt. Eigentlich kann man ja auch bei einem Autor wie Alan Moore nicht aufs falsche Pferd setzen. Aber auch er läßt sich bei diesen Reihen ab und an zu echten Dummheiten hinreißen. So hetzt er Tom Strong schon bald gegen Nazi-Amazonen, auf denen es von Hakenkreuzen nur so wimmelt und bei denen die Tilsner-Mitarbeiter ganz schön was zu retuschieren haben werden. Vielleicht sollte man da aber auch einfach einen höheren Anspruch bei sich selbst suchen und solche Ausgaben einfach auslassen. Doch da ja auch schon Infinity mit "Magdalena" eine genauso peinliche Serie nach Deutschland gebracht hat, darf man wohl auf eine solche Qualitätskontrolle hierzulande vergebens warten. Trotzdem gibt es auch Serien, die man einfach herausbringen mußte, wie schon geschehen mit "Top 10" und in der nächsten Ausgabe folgt dann ja auch die Fantasy-Serie "Promethea", die wirklich sehr toll ist. Und ganz besonders toll ist die Miniserie "League of the extraordinary Gentleman", die aber eigentlich nur als eigene Reihe herausgebracht werden sollte. America s Best Comics #2, erschienen bei Speedline im Verlag Thomas Tilsner Autor Alan Moore, Zeichner Chris Sprouse, Gene Ha, J.H. Williams III., Kevin Nowlan, Übersetzer Claudia Fliege, Oliver Naatz, Gerlinde Althoff In der ersten Geschichte bekommen es Tom Strong, seine Frau Dahula, seine Tochter Tesla, Pneuman und der Gorilla Salomon mit einer sich selbst reproduzierenden, technischen Erscheinung namens Modular Man zu tun. Dieser wurde von Tom und seinen Gefährten schon zweimal besiegt, doch diesmal scheint es so, als könne er sich selbst über ganz Millennium City ausbreiten. Doch der rechtzeitig von der Venus zurückgekehrte Tom Strong stellt sich ihm wieder gegenüber. Die Zeichnungen verhelfen dieser doch etwas spannungsarmen Geschichte zu etwas Glanz. In der zweiten Geschichte begleiten wir die Studentin Sophie Bangs dabei, wie sie versucht, Barbara Shelley zu interviewen. Mrs. Shelley ist die Witwe eines Comiczeichners, der Geschichten über eine Heldin namens Promethea schrieb. Vor diesem haben andere Autoren in Gedichten, Legenden und Zeitungsstrips über die gleiche Heldin geschrieben. Nun schreibt Sophie eine Hausarbeit über diese Heldin und ist deswegen zu Barbara Shelley gekommen. Doch schon nach kurzer Zeit wird Sophie von Mrs. Shelley aus dem Haus geworfen. Auf ihrem Weg zu einem Konzert wird sie von der hiesigen Science-Heldengruppe "Five Smell Guys" angehalten, da einer von ihnen eine Vision hatte, in der Shelley in Gefahr war. Leider ist aber Sophie zu diesem Zeitpunkt noch nicht in Gefahr. Die Helden ziehen von dannen und plötzlich wird Sophie von einem schwarzen Schattenwesen angegriffen. Plötzlich bekommt sie aber Hilfe von Promethea. Die Geschichte über ein zur Fiktion gewordenes kleines Mädchen, das immer, wenn sich jemand in der realen Welt für sie interessiert, erscheint, wird hier mit viel Raffinesse erzählt und bietet einen unglaublich guten Plot für eine neue Heldengeschichte. Weiter geht es mit den Ereignissen der zweiten Ausgabe der Serie "Top 10" Irma und Girl One haben auf dem Weg zur Arbeit einen Zusammenstoß mit dem blinden Taxifahrer Bob "Blindshoot" Booker. Er ist der Zen-Taxifahrer, der Slinger an ihrem ersten Tag zum Präsidium gefahren hat. Durch den Zusammenprall sitzen die beiden jetzt im Gangterritorium fest. Thema Nummer 1 auf dem Revier ist natürlich immer noch der Tod von Professor Gromolko und des für ihn arbeitenden Drogenkuriers Saddle. Auch die angebliche Rückkehr des Libra-Killer hält die Polizisten auf Trab. Duane und Chaney sollen ein paar Prostituierte befragen. Smax und Slinger fahren raus, um Irma und Girl One zu helfen. Dabei legt sich Smax mit dem Sohn eines bekannten Filmmonsters an, den Smax zusammen mit dem Taxifahrer mit aufs Revier bringt. Zurück auf dem Revier macht Girl One durch eine Bemerkung von Slinger eine für sie unangenehme Entdeckung, wofür der Sarge direkt einen Schlag ins Gesicht bekommt. Dieser weiß gar nicht, wie ihm geschieht. Doch noch einige andere der Cops werden an diesem Tag noch so einiges herausfinden. Vielfältige Handlungsorte und die Vielzahl von Charakteren halten den Leser auf Trab und für die Augen gibt es wieder eine Menge zu entdecken. "Top 10" bietet eine eigentlich einfache Geschichte mit vielen genialen Ausschmückungen. Am Ende dieser zweiten Ausgabe gibt es noch eine kleine Geschichte über dem jugendlichen Erfinder Jack B. Quick. Dieser erzeugt, um eine Kuh, die bei Dunkelheit immer ganz wild und verrückt wird, zu helfen, eine Minisonne. Dies beruhigt die Kuh. Doch neben der Sonne gibt es nun auch mehrere Planeten und Sterne, die um diese Sonne kreisen und diese halten die Bewohner der Kleinstadt ganz schön auf Trab. Da der Lebenszyklus dieser ganzen Kleingalaxie aber sehr schnell zu Ende geht, muß man sich fragen, was passiert, wenn aus der Sonne ein Schwarzes Loch wird. Ganz liebenswürdig und schlau kommt diese kurze Story um den jungen und genialen Erfinder daher. So schön kann die Beschäftigung mit der Relativitätstheorie sein. Damit sind wir dann am Ende angekommen und haben ein erfreuliches Leseerlebnis hinter uns. Wenn Alan Moore und seine Zeichner so weitermachen, dann wird bald American Best Comics zum neuen Standart in Sachen Superhelden werden. Natürlich bedient sich auch Moore nur aus den gleichen Quellen wie all die anderen Verlage, doch irgendwie macht er dies ziemlich intelligent. America s Best Comics #3, erschienen bei Speedline im Verlag Thomas Tilsner Autor Alan Moore, Zeichner Chris Sprouse, Gene Ha, J.H. Williams III., Rick Veitch, Kevin Nowlan, Melinda Gebbie, Übersetzer Claudia Fliege, Oliver Naatz, Gerlinde Althoff Auf verschiedenen Parallelerden hat sich die Geschichte anders entwickelt. Die Azteken sind zur alles beherrschenden Macht geworden und haben ihr Reich über zahlreiche Welten ausgeweitet. Nun ist die Erde von Tom Strong ihr neuestes Ziel. Als plötzlich eine aztekische Pyramide inmitten von Millennium City auftaucht, ist unser Held auch schnell zur Stelle und verschafft sich Zutritt in das seltsame Gebäude. Dort trifft er schnell auf Gegner, die ihn sogar überwältigen. Nun soll er einer künstlichen Gottheit geopfert werden. Doch das göttliche Computerprogramm hat schon eigene Pläne gemacht. Wie in seinem letzten Abenteuer bekommt es Tom Strong wieder mit einer künstlich erschaffenen Kreatur zu tun. Ansonsten bleibt alles beim Alten, sehr gute Zeichnungen und eine zwar gut erdachte, doch wieder zu einfach vom Held zu lösende Herausforderung. Nachdem der Smee versagt hat, schickt die Organisation namens The Temple zwei Dämonen namens Marchosias und Andras gegen die "neue" Prometha zu Felde. Diese weiß, nachdem sie die alte Prometha-Trägerin Barbara Shelly in ein Krankenhaus gebracht hat, nicht, wie sie weiter vorgehen soll und so trifft sie sich mit ihrer Freundin Stacia. Diese weilt bei einem Auftritt einer neuen Musikgruppe und in dem Club kommt es zu einer Auseinandersetzung zwischen Prometha und ihren Gegnern. Mit viel schmückenden Beiwerk wird die Geschichte zügig vorangetrieben. Auch erfahren wir etwas über die Gegner unserer unfreiwilligen Heldin. So machen Superheldencomics richtig Spaß. リンク @wiki @wikiご利用ガイド ここを編集